Saturday, November 9, 2013

Online Teaching Jobs - What Qualifications Do I Need?


If seeking online teaching jobs is a new avenue for you, the first question you will ask will probably be 'Do I have the qualifications?', or 'What qualifications do I need to have to be an online tutor? That will depend partly on what and whom you plan to teach.

Do I need formal qualifications?

For some online teaching jobs, some agencies and learners will require degree-level qualifications in a subject area, and some will also require a teaching diploma or similar certification. If you want to become an tutor for undergraduate students, a Masters degree in your subject is likely to be a minimum requirement. Membership of a professional body may also be helpful in establishing your competence.

Formal qualifications will be a great help to anyone seeking online teaching jobs but there are openings for people who want to become online tutors and looking for jobs. As well as teaching subject content, there are openings for teaching professional to help school-age learners with homework or with a revision or test prep routine. Though that will typically require some subject competence, the tutor's role will be partly supervisory, helping the learner to keep to a schedule and assisting them with independent working (not doing the work for them!). Student teachers may find openings of this kind of jobs for tutors, even though they have not yet completed their studies.

Alternative or equivalent qualifications

In some cases, demonstrable experience can be as good as formal qualifications in a subject or in teaching itself. For example, people who have successfully home-schooled their own children may be well qualified to become online teaching professionals for other people's children.

Proven expertise in a subject can also be a substitute for a degree or diploma. Online teaching jobs assisting adult learners are plentiful. Many of these learners are not seeking to acquire qualifications, but take courses or seek online tutoring as a matter of self-development. Someone wanting online tutoring in water color painting or photography may get what they need from an established artist or hobbyist, regardless of whether they have the paper certification.

When qualifications are vital

Learners seek online tutoring for a variety of reasons. In some cases, they will be looking for very specific qualifications. One scenario in which parents seek to hire online tutors is when children are struggling in school. Online tutoring of children with learning difficulties will typically require the online tutor to have specialist training, documented experience and perhaps testimonials as well.

Signing up for online teaching and online tutoring jobs

Some agencies advertising online teaching jobs have particular specifications with regards to qualifications, the hours an online tutor will be expected to put in per week, and so on. Others are more flexible, providing a service that helps learners to find an online tutor to suit them, with details of hours, payment negotiable between the parties.

Of course, those seeking online teaching jobs will find more opportunities if they have formal qualifications as well as a track record of experience in their subject or educational field. However, online tutoring is not only for graduates with diplomas in education and would-be online tutors with appropriate skills are likely to find a niche for them.

Studying Film Production


Lights. Camera. Action!

There's a lot more to becoming a great filmmaker than being familiar with these often-heard commands. Filmmaking is one of the most collaborative art forms in the entire world. It combines writing, drama, photography, architecture, choreography, sound, music, and montage. And those are just the principle talents involved; do not forget the production teams of budgeters, schedulers and location managers. Ever watch the end credits of a movie? Hundreds of dedicated artists and technicians pull together to create cinematic magic. If you've ever wanted to be part of this team, or even to lead one as a director, then you'll need the tools and resources to help you break into the industry.

Unlike some other art forms that can be easily practised at home and alone, to study film you need to immerse yourself in an institution that can provide you with the equipment as well as the collaborative team effort required to produce films. But you don't need to pack up and move to Hollywood to get a professional film school training. Canada is quickly becoming one of the best places in the world to earn a degree in film production. Not only is it much cheaper to live and study, but Canada has a great diversity in urban settings and natural landscapes to help inspire your film locations. When planning your education, consider film schools in Canada as a great alternative to United States.

When discussing "Hollywood of the North" many Canadian cities battle it out over who really deserves that title. Among them is Toronto, Canada's largest city and economic centre. Toronto also hosts the renowned Toronto International Film Festival (TIFF), where many great upcoming filmmakers first break onto the world cinema scene. Taking film courses in Toronto is a great way to learn a craft and make connections to the industry at the same time.

In contrast to the big city feel of Toronto is Montreal. If Toronto and Vancouver compete over being Canada's Hollywood, than Montreal is North America's Little Europe. The city, with its ports and old town, diverse multi-lingual culture, and gorgeous old Victorian neighbourhoods is truly an art work in itself. Film courses in Montreal give the student the full advantage to such an inspiring setting with international influences.

Wherever you decide to study film production, there are several things you want to look out for in choosing a school. Some film schools assume a prior knowledge of film production before enrolling, and may in fact reject students who do not have any experience. If you are just getting started, look for a program that uses a modular format of teaching. This follows a 'ground zero' approach from the start and then builds rapidly through each skillset in the process of making movies.

Not only should one learn every step, but also every technology that film has used over the decades. Research your school's facilities to see if they teach both 16 mm film and digital video production.

California is no longer the centre of movie magic. For more options on where to begin your film education, Canada's many cities have great institutions that will put you in the spotlight or in the director's chair.

Photography Tips For the Photo Doldrums - Frost, Ice, Re-freeze & 'Tenacious Grace'


Some Of Water's Cold Season Photo Ops

In (3) previous articles we have considered photography tips using water as an ideal photo subject during warm seasons when it involves waves, waterscapes, waterfalls, reflections, abstracts, spray 'n splash, bubbles 'n foam, puddles, condensation, hail, mist and fog to help us out of the photo doldrums. Now, let's consider some of it's cold season photo op's for doing that.

Water is unique because it can be found in all three basic states: vapor, liquid and solid. In the cold seasons, when it can turn crystalline or solid, is when it can produce truly fascinating and amazing pictures. Here are some photography tips for that season:

# 1 - Frost: Transforms things into artwork. On leaves and vegetation, subtle edge and vein patterns stand out boldly as intriguing designs. On window panes frost patterns can be fascinating. Again, it's mainly a matter of checking out your local weather forecast, knowing your surroundings, what to expect, and getting there with your camera before it melts!

# 2 - Ice: If there are puddles, or a pond or lake nearby check out the edges when the water freezes. There will be ice captives; leaves and twigs just below the surface encased in the ice, sometimes with air bubbles and patterns in the ice itself. Just be careful about thin ice and how far out on the ice you venture when taking such pictures!

# 3 - Re-Freeze: Here is a special ice-situation to look out for; It snows, then turns mild and rainy, then suddenly cold snaps. Check out the depressions and roadside ditches. The snow has been 'sculptured' by the melt and run-off, then encased (along with leaves, etc) in the clear ice from the rain and cold snap, producing some very unusual subjects.

# 4 - Tenacious Grace: Is there a lively stream or brook nearby, one which tumbles and bubbles over stones, rocks or fallen trees and branches, generating splash and spray? When the temperatures drops well below freezing you'll find a delicate embroidery-like ice (hence the name) forms on the edges of things from the spray.

Self-Assignments For Above Photography Tips

Choose the projects that interest you most. Follow the photography tips conscientiously. Re-shoot when you aren't satisfied. Do it til you are satisfied. It'll take all your patience and passion. Your skills and eye will improve with the practice. Shoot especially in early and late light. Use a tripod as much as possible. Edit your results relentlessly. Pin small samples on the wall for a few days to study before making final prints for wall art.

Photography Tip # 1 - Frost: (1)During winter cold-spells choose a window that faces the rising sun and place a humidifier in front of it. Open the inner window about 翹" to let warm moist room air enter and contact the outer window to form jack frost on it. Take pictures as the sun rises and shines through the frost. (2) In late fall and early spring when the forecast predicts frost, get outside early and look for fallen leaves and grasses with frost on them. Take pictures.

Photography Tip # 2 - Ice: When it's cold enough for ice to form, locate some large puddles or a pond and look for "ice captives" (leaves) just under the ice surface, and take pictures of them through the ice.

Photography Tip # 3 - Re-freeze: When the weather does a snowfall, then a thaw with rain, then a re-freeze, get outside and check the depressions and roadside ditches for snow swirls under clear ice with leaves, etc caught in it and take pictures.

Photography Tip # 4 - Tenacious Grace: When the weather turns really cold locate a nearby stream that briskly tumbles over rock piles and branch jams and you'll find 'Grace'. Find a pleasing section of it with water running by it and shoot with a slow shutter speed to blurr the water in contrast to the sharply detailed ice.

In the next of this set of articles we'll consider still 4 more photography tips on cold season photo op's that water can provide for overcoming the photo doldrums: icy streams, freezing rain, icicles and snowflakes.

Outstanding Wedding Photo Ops


The photos from your wedding will be some of your most cherished mementos. Think beyond the standard posed shots, and explore some special and unique settings that will really make your photographs stunning. These are some ideas on outstanding wedding photo ops that are not to be missed.

What is special and unique about the place that you have chosen for your wedding? There may be a stand-out detail at the reception venue, an unbelievable view at your ceremony site, or perhaps there is something that is iconic about the city or town. Don't be afraid to venture off-site to have photos taken. They may end being some of the most special ones in your entire wedding album.

When you are looking for the best backdrops for your photos, ask yourself what you love most about your location. For instance, if you are getting married in San Francisco, you really must have some photos taken riding a cable car. By the same token, no wedding in Paris would be complete without a few shots under the Eiffel Tower. They might not be original, but they will be fantastic pictures, all the same.

Often couples will share special memories about one or two places in their hometown. Maybe there is a wonderful classic wooden carousel in a park near your home. Imagine how lovely the newlyweds would look riding the horses in their fine attire and bridal jewelry? Perhaps there is an outdoor ice skating rink where the two of you have shared many a laugh; it could be a perfect site to take memorable wedding photos.

Other outstanding photos can be taken at a place that has sentimental meaning to the bride and groom. If your fiancé proposed to you in Central Park, then you surely will want to have some wedding pictures taken there in your bridal gown, veil, and pearl jewelry. If no place makes you happier than the porch swing at your parents' home, then ask your photographer to take pictures of you snuggled into the swing with your new spouse. The idea of having photos taken in all of your wedding finery at your favorite everyday sorts of locations will result in fresh and interesting images.

Most venues have some terrific features that can be highlighted as well. Let's say that you are having your reception at a graceful antebellum mansion; you can't go wrong with wedding photos taken by the porch columns. Perhaps there is an old stone wall that you can sit on. To make the photos more dynamic, your photographer can try taking them from unusual angles or unique vantage points. Many of these types of images will be especially captivating in black and white.

Don't overlook the natural beauty of your wedding site when you are looking for great pictures. Is there an ancient oak tree in a field or a babbling brook? These would make excellent photo opportunities. Sometimes the photos can be taken through the veil of nature for an interesting effect. The newlyweds can stand behind a field of wildflowers, for instance, or even in the fog or mist, for one-of-a-kind shots. It helps to have a photographer with a creative eye.

Your wedding photos are so special; you deserve to have a collection that is beautiful and that really captures the spirit of your wedding. By thinking beyond the standard shots, you will be able to create a true visual record of your wedding day that reveals the character of the newlyweds. These are the types of images that you will enjoy revisiting for a lifetime.

Aikido Techniques and Women - The Benefits of Meditation


Can Aikido techniques reduce stress? Whether you are a career woman, a homemaker, or combination of both, stress can take its toll both physically and mentally. There are deadlines at work, chores to do, kids to pick up, meals to be prepared, and vacations to be planned. The interesting thing about stress is that its effects are additive and often insidious. Some of the warning signs include a shorter temper, overreacting to disappointments, or becoming angry at the smallest provocation. How can a martial art help a woman to manage stress? Meditation is a part of the Aikido training in many schools. When many of us think about meditation, often a church, synagogue or other places of worship comes to mind. In fact, meditation at its simplest level can be thought of as the art of becoming calm and looking inward rather than outward.

A calm mind sees things much more clearly just as a lake, on a windless day, clearly reflects the mountains and trees around it. On the other hand, an agitated mind becomes unsettled and, like a wind blowing over a lake's surface, distorts the images of objects around it. Many Aikido schools practice a technique called Misogi breathing. This exercise is designed to help the student gain control of their mind and body.

It involves sitting in a comfortable position (seiza or zazen). The student sits with a relaxed posture, eyes half closed, and body well centered. The breath is drawn in through the nose as one imagines that it transits through the mind down into the lungs and into your center or hara, which is imagined to expand over the full length of the breath. Once the lungs are fully inflated the instructor will clap his hands, which signals exhalation. In the exhalation movement, one imagines that the breath moves upward from the one-point or center through the lungs into the mind and out of the mouth in an "ahh" sound. During this time the one-point is imagined to contract to an infinitely small size. This cycle is repeated again and again taking breaths in every 10 seconds or so.

In the beginning new students have a tendency to gasp because they are not used to taking such prolonged inhalations and exhalations, so they struggle to catch or maintain their breath. For this reason, the exercise trains the student to gain control of and thereby unify the mind and body. If the mind is in control, it tells the body to continue the inhalation or the exhalation until the next clap is heard even if the urge is to take the breath. As the cycle of breaths continue, the mind becomes relaxed permitting thoughts to turn inward and stressful thoughts to be released.

These breathing techniques can be applied even when the body is in motion, performing Aikido techniques and permits the Aikido student to remain relaxed: decreasing the likelihood breathlessness. Even in the intense technique known as randori, in which multiple attackers are moving toward the defender simultaneously, exercising proper breathing control can keep the mind and body relaxed for much longer than the person whose mind is and body are tense and out of control. In addition, proper breathing allows a student to maintain a relaxed mind, which sees things more clearly including the identification and reaction to potential threats.

Aikido techniques in daily life. How can you apply these same techniques in daily life where the stresses cannot be avoided or ignored? The first part of the answer is the unification of mind and body through mastery of the breathing exercise. This requires regular practice. Once we are in tune with and in control of our bodies, we should more readily be able to recognize the danger signals associated with loss of emotional control. We can then apply the principles of the breathing techniques to relax the mind and body even during highly stressful situations. Imagine a situation where your child is crying, you hear a knock on the door, the phone rings and you see the pot or kettle boiling over on the stove.

In the midst of all the stimuli can you maintain control of you emotions and remain calm? What if one of your co-workers approaches you with an angry, unfounded accusation? Can you keep from reacting in-kind with hostility? In short, the answer is yes if you apply the principles of the breathing techniques in the midst of all of the turmoil that surrounds you. Important problems can be more readily identified when the mind sees the overall situation clearly. Randori is an important part of advanced Aikido training because awareness of threats from all directions through a calm and unified mind (and body) is what one learns from this exercise.

How to Start a Digital Photography Business


So you took a lot of pictures and a lot of your friends are saying that you are good at it. However, you're tired of just receiving a lot of praise because what you really wanted is to make money out of your talent. You then keep on thinking on how to start a photography business.

Well I'm glad you think that way my friend. Unless you're really have a high paying job that gives you a lot of extra time, making photography for just a hobby is not practical at all. Think of how expensive the camera is and its equipment. Companies are also upgrading brand new models every now and then so you need also to catch up or else you'll be left behind. Therefore, you really need to know how to start a photography business for you to have some resources for buying your gears and sooner, it might be your bread and butter.

Here are things that you need to know on how to start a photography business:

1. Choose an area that generates money in your situation

There are various areas in photography and it's really up to you to choose where you can fit yourself in. However, since you wanted to know how to start a photography business, you must also place yourself in an area that gives you income. You might love taking abstract pictures but you might not be able to generate money from it. Well, I'm not saying that there's no money in abstract photography. What I'm saying is that choose an area in photography that you not only like but will also be a good source of income in your situation for a long run.

One good example here is wedding photography. I have friends who are really good in capturing artistic shots. They post those photos in Facebook and they receive a lot of good comments. However, with that kind of photography, it's only good for sharing in social networks but does not give them any dime from it. Because of that, they do wedding photography. Every now and then, many couples are getting married so they always have bookings for a shoot. This area in photography might not be their first option in this field. But since they wanted photography for business, they still do it.

2. Starting from a sideline first

At first, you might not have a lot of resources and you really don't know how to start a photography business. If you have a job now that is not related to photography, it's not yet a good idea to just drop that job immediately and do photography full-time. That might be possible if you really got lucky but I tell you what, it's very risky for now. Building up a business is not an overnight matter. Therefore I suggest taking it slow and making it a sideline for now. How about offering a photo shoot to your friends and colleagues first. You can start by offering them a big discount. This will save them some money from hiring a professional photographer. It will also give you an opportunity to learn and earn income bit by bit. Almost every successful businessmen started from being small. How to start a photography business is not different.

4. Use the power of the internet

Create your blog or even a website and upload your photo samples there. Create a fan page also in Facebook and even Twitter. Almost everybody now is using the internet so who knows, you might be discovered! It's also good to join photography forums online. You can ask questions to your fellow photographers about skills in photography and even how to run the business. Many professionals are always willing to give some help and even tell you how to start a photography business.

5. Make a goal to do photography business full-time

If photography is what you really like to do in life, you must dream to make it your full-time job. But before that happens, you really need to invest in skills and equipment in photography. It is also good to work as an assistant of a professional photographers at first. By that you can learn how your boss do the business and make your own soon. If there's an opportunity, join a photo shoot and see how they do it. One day, you'll be able to stand in your own feet and do your own business.

These are some of the ways on how to start a photography business. Try them and be a success photographer some day!

Friday, November 8, 2013

Photo Collage Ideas - 6 Good Reasons to Create a Photo Collage


Have you ever wanted to be an artist but can't draw more than a stick figure? I'm just one of those kinds of people but there are now alternatives to canvas and paint. Using a computer, it is now possible to create art in the form of a Photo Collage. You can create a collages of almost anything but the most popular choices are from photos of your family and friends, or to celebrate an event. You can put as many pictures together in the same frame as you want, blend them, resize them or highlight them. If this all sounds a bit too technical, then give the job to a professional collage designer to create a unique layout for you. A professionally created photo collage can be a beautiful thing!

But don't stop there, professional photo puzzle websites will not only design your collage layout but turn it into a Jigsaw Puzzle for you. This makes an amazing gift for someone close to you or a keepsake to hang on the wall. There are so many things you can do these days to preserve and display photos but a well designed collage of your favorite photos must be at the top of the list.

These Photo Collages have become popular for many reasons, here are six of them:

1. People today have access to more and more photos, either in a digital or hard copy print format. Whether your photos are Polaroid or Digital, from 1979 or 2009, a picture as they say speaks a thousand words. A picture collage puzzle not only gives a great way to display your photos but also interact with them bringing back fond memories.

2. A collage puzzle can be fun to put together for any age. What other way of presenting your photos can give so much fun to any age group from grandparents to parents to grandchildren at the same time. The Photo Collage puzzle is truly ageless when it comes to entertainment.

3. Add a gorgeous frame and the picture that is now a puzzle becomes a portrait, a tribute to the photos you want to display and the people or places in them. The time it takes to assemble them brings a family together and framing the artwork makes it even more beautiful.

4. A collage designed from your holiday photos is a great way to remember your vacation. If you are like me, you come back from holiday with hundreds of photos - most of which never see the light of day. A picture collage is a great way to bring these vacation memories to life and relive the moments while making the puzzle.

5. No one need get left out in a well-made picture collage. Unless you want them left out. And that's up to you. You pick the design, the photos, words and everything else.

6. With a photo collage, you have many preserved memories together in one. My son's fourth grade teacher made a collage of her entire class and gave them out at the end of the year. The children all signed the back. It was such an interesting idea and my son will be forever grateful for the memory that his teacher created for him.

A photo collage, especially one made into a jigsaw puzzle, is a wonderful keepsake for any family member or friend. Imagine what a professional company could do with your favorite photos, with all the options available in digital software these days. Add your favorite color background to your hand-picked variety of favorite photos to make a beautiful collage. Us this layout to create a puzzle and you have made your favorite memories more fun than ever.

Where to Eat in Barbados - 5 Recommendations


If you're a food lover then Barbados is the place for you. Possibly the only place in the world that doesn't have a McDonalds, it does instead have something for just about every taste and budget. From the kid friendly fast food chain Chefette to award winning restaurants such as The Cliff, and L'Azure, the cliff-top restaurant overlooking the magnificent Crane Beach.

The following are 5 personal recommendations for where to eat in Barbados:

Oistins

For a real taste of Barbados head to Oistins, a fishing village on the south coast. Home to the weekly Friday Night Fish Fry, people from all across the island, together with tourists from all around the world, gather to eat, drink, dance, and party. Stop at any of the numerous stalls serving flying fish, rice, macaroni, and plantain, then find a table to enjoy this local specialty. Wash it down with a couple of Banks beers it is a meal to match the finest anywhere.

For breakfast or a light snack visit the Bean n' Bagel in St. Lawrence Gap for breakfast, and while sitting on the terrace overlooking the Caribbean we eat a hearty breakfast of orange juice, omelets, fresh baked bagels, and gourmet coffee. I could happily sit here all morning and just watch the world go by

The Bean-n-Bagel Cafe (St. Lawrence Gap)

The Bean-n-Bagel Cafe is my favorite place for breakfast in Barbados. The original, located in St. Lawrence Gap, is also an Internet Cafe, so if you really can't leave the office behind, or you just want to check in with family back home you can be in touch with the world while eating a fresh baked bagel, pastry or full breakfast of omelets and smoked salmon and a hot or iced coffee while relaxing in the morning sun.

They also serve sandwiches, vegetarian dishes, chicken Alfredo, pasta, crab salad, and pizza. Or if something sweet is more to your taste don't miss the Tortuga Rum Cake, or my personal favourite, and I always get one to go home with, Mount Gay Great Cake.

The prices are reasonable, the atmosphere relaxed, the service friendly, the locations great, the food is good, and if surfing in the ocean is too strenuous you can surf the Internet! Two newer locations have also been opened, one in the West Coast Mall in Holetown, and the other overlooking the Careenage in Bridgetown.

Pisces Restaurant

For a romantic dinner on the edge of St. Lawrence Bay, Pisces in St. Lawrence Gap is a must. Enter through a grove of lush tropical foliage to a table overlooking the water. This most romantic restaurant is considered one of the finest on the island and one taste of the seafood linguine soon will tell you it is a well-deserved reputation.

Pisces is only open for dinner from 6pm, and is not inexpensive. Prices for starters are $14 - $25, and mains from $38 - $74. But for a special night out this is one restaurant not to be missed. Dress, as in most Bajan restaurants, is elegantly casual, and reservations are recommended.

Naniki

One of the most unique restaurants in Barbados set in the rolling hills of St. Joseph. The natural beauty of the landscape that lies just beyond its glass walls creates the ambience of the restaurant. An outdoor porch allows you to enjoy the views of the surrounding hills while enjoying a refreshing breeze along with your meal. The menu includes a selection of staples from the Caribbean, such as yam, sweet potato and breadfruit, together with the famous Bajan corn meal cou cou.

For lunch try seared flying fish, grilled dorado, stewed lambi (conch), curried chicken, or jerk chicken or pork. For dinner, grilled snapper, local black-belly lamb, seared shrimp, and pork loin are specialties. On Sundays, they serve 'a taste of the Caribbean' buffet with all the fixin's.

Tides

On the west coast make reservations at Tides. This unique restaurant features an art gallery on the main floor featuring some of the best local artists and dining on both the main floor and the second floor. Ask for a table upstairs overlooking the Caribbean. There are so many great choices on the menu it's difficult to decide what to eat. But try the Jamaican jerk chicken wrapped in Parma ham with pesto mash, leek and Calvados cream with caramelized apples, and seared local tuna with Wasabi sauce served on warm ginger, sesame and egg noodle salad and vegetable spring rolls, accompanied with a 2005 Petit Chablis. You won't be disappointed.

Rum Shops

I know I said 5 Places To Eat in Barbados but there are reputed to be anywhere between 500 and 1500 Rum Shops in Barbados and no visit is complete without stopping in at least one. If you want a real Bajan experience you have to pay at least one visit to a rum shop. Rum shops are actually small bars found in every village and are social centers where residents gather to discuss politics, play dominoes, catch up on the latest news, gossip and... drink rum. The shops also act as grocery stores and are a good place to grab a snack, particularly cutters. Cutters are the Bajan equivalent of sandwiches, a round bun generously stacked with cheese, ham, fish or whatever else you may choose.

Gold Coast College and Universities - Quality Education


Gold Coast is the city in the southeast corner of Queensland, Australia. Gold Coast, Queensland is known for its sunny beaches and high rise buildings. It is the major attraction for tourists and students from all over the world. It is one of the most beautiful coastal cities in the world. There are numbers of famous colleges and universities, in which thousands of students enroll each year from all over the globe. Gold Coast, Queensland is famous for its quality education, colleges and universities. There are many colleges which provide business and management studies to students. Courses are not limited to only business, commerce, also other courses like arts and photography courses are offered by these universities. Foreigner students prefer to study in Queensland universities and colleges due to quality of education. These colleges are also providing accommodation to foreigner students; it is difficult to get accommodation in Gold Coast in affordable prices. With the study package, most of the colleges offer accommodation facility to students. There are many people who are willing to study in Gold Coast, Queensland. There are many opportunities available for students to excel the career in any field. Now a day most of the students are coming from European countries to study in different colleges and universities in Queensland. These colleges are also offering quality education in affordable prices and also offering affordable accommodations.

Most of the colleges offer different courses according to new demands, one of the famous courses offered in Gold Coast colleges are arts courses. Thousands of students enroll in different art courses from European and American countries. Due to suitable weather, it is preferred by most of the people, also there are thousands of monthly searches on Google about Gold Coast education, colleges, and universities. The photographic and arts courses offered in these institutes are accredited. The tutors are from all over the world with professional knowledge and experience in the field. Students can enhance their skills with learning and growth opportunities. The practical work and practice offered by colleges and universities help the students to sharpen their skills. Photography and art courses in Gold Coast are famous due to the latest technology they offer in there campuses and in classrooms. With the growing economy and quality education more and more people are registering in Australian universities and colleges. Universities and colleges are providing quality education with highly skilled professionals. There are many famous universities like Griffith University, Bond University, Central Queensland University and Southern Cross University which provides professional studies.

There are also famous colleges like GCIT and AICA are famous for there accredited courses. Students can enroll in their courses by registering online. The quality education offered in these colleges and universities are major attraction. With worldwide recognition and acceptance, students are coming from every part of the world. The use of modern techniques and requirements are adopted in the college campuses. If you are willing to study abroad, consider the quality education.

What Are Active, Passive, and Semi-Passive Income and How Can I Use Them to Make More Money


Many articles cover different ways of saving money as well as adopting a proper attitude towards saving money and managing your personal finances, without really venturing into the realm of earning money. Today I want to go over three different types of income (active, passive, and semi-passive), how they all work, and how you can utilize each type to continually increase your net worth.

What is Active Income

Active income is the main source of income for the vast majority of people. It requires a direct exchange of time for money. The more you work, the more money you will make.

An example of active income would be the typical salaried worker. They work 40 hours a week in exchange for a given amount of money.

Pros of Active Income


  • You know exactly what you will get in return for your time

  • The time you spend working directly corresponds with how much you will make

  • You see results immediately

Cons of Active Income


  • You have less free time for yourself

  • The time you spend working directly corresponds to how much you will make

In order to increase your active income you have to do one of two things.


  1. Work more

  2. Get a promotion or a raise

For the person whose goal is financial freedom, working more is not an appealing option, and most professions are limited by the market when it comes to increases in salary. This makes active income a great candidate for secure and consistent cash flow which can be supplemented with other types of income.

What is Passive Income

Many people see passive income as the Holy Grail to gaining wealth. It initially takes work to get started, but will continue making you money even when you aren't working. This is what makes it so appealing.

An example is selling stock photography or graphics online. Once you do the work to get the files posted, you can continue earning money without doing a thing.

One of the most common problems people have with this type of income is that they will only get to a certain point of earning a small amount of money, only to lose interest and pursue something else. The trick to passive income is to try a few things out and see what works, then pour your time into a select group of ideas to build them up. Long term cultivation can yield a large amount of essentially work-free money.

Pros of Passive Income


  • You make money while you sleep

  • It frees up your time to pursue other money making ventures

  • It can provide a long lasting source of income

Cons of Passive Income


  • You usually don't make a lot of money all at once

  • It can sometimes take a long term commitment

  • It may eventually stop earning you money

By building up multiple income streams, you can focus your efforts on improving the ones that work best, while eliminating ones with a low return. As you continue to increase your passive income, you will eventually reach the point where you can pay for all of your expenses without the need for another job. This is part of my main goal and can be attained more easily than you might think. Notice I said "attained more easily" and not just "easily attained". Passive income still takes hard work and dedication, but the long term results are superior to active income.

What is Semi-Passive Income
Semi-passive income is a combination of both active and passive income. Semi-passive income will continue to make money when you aren't working, but it does require a certain degree of maintenance or management.

Owning your own company is an example of semi-passive income. Your business will continue to earn money without your presence, but usually requires you to check in and make management decisions along the way. The more you put into it, the greater the potential for earning becomes.

Another quick example of semi-passive income would be acting as a landlord. You make money every month from the rent payments, but you still have to check in frequently to ensure everything is as it should be, as well as taking care of any potential problems with the property or tenants. It is partially a long term investment as well because you earn money monthly from it and expect it to appreciate in value over the years.

Pros of Semi-Passive Income


  • If you own a business, there is large potential for growth because your employees are actively growing your company

  • It frees up time for other endeavors

  • You can sell a company or house at any time

Cons of Semi-Passive Income


  • It requires more responsibility than standard passive income

  • There is a certain degree of management and maintenance that is required

Semi-passive income is so tantalizing because it can earn you money without work, but if you spend some extra time with it, you will begin to see greater returns.

The Trick to Earning More Money

Find ways to make money using all three types of income and then continually analyze your progress and focus only on the highest performers.

Oftentimes, having an active income job and pursuing different passive income ideas is the best way to go, and is what many people strive for. Multiple sources of income protect you from the unexpected and also hold the potential to maximizing your earning ability. Once you find a way to earn enough passive income, you will have the choice of working only when and if you want to.

How To Start Earning Multiple Types Of Income

Most people already have monthly expenses and work an 8-5 job, so they feel that the only way out of that job is to get rid of everything they have. The truth is that while it is a good idea to start over from scratch if you have the means to, you don't have to eliminate your monthly expenses to get ahead.

The old adage, "Slow and steady wins the race", portrays the attitude that is required when you begin considering different income options. Find one idea and work with it. A lot of times, we think of one idea but don't see an immediate return so we move on to something else. This is the one deadly sin of passive income. You have to practice patience before you will begin to see progress.

How to Be a Photography Expert


Simply Make the Decision

Becoming a photography expert is considerably easier than one might imagine. You simply decide.

If that one line were the extent of this article - and you pondered it long enough - you'd understand the weight of the advice. It is that simple.

It's been said before many times; using available FREE information, some determination and a little "stick-to-itiveness" you can become an expert on anything in six months. I'll include a caveat if you're a left-brained-tunnel-vision-engineer; you can become an expert on any topic.

Certainly becoming an expert brain surgeon takes longer than six months. You might be able to perform brain surgery after reading about it for six months, but you'd probably have a heck of a time finding patients to practice on.

Becoming an accomplished attorney will also take a smidge longer than six months. Then again, if you're already blessed with an inflated ego you're well on your way.

Photography Knowledge and Skill - Two Different Things

Much of the knowledge you need to be a photography expert can be learned in six months - or less. The skills you need to create beautiful portraits - consistently - are developed over a lifetime. I've been a professional photographer for more than 18 years and I'm still learning new photography tips and techniques. Every day.

Learning about f/stops and shutter speeds, depth of field, how ISO affects exposure, color balancing, image manipulation and retouching, learning about Photoshop and Lightroom and file storage is all knowledge that can be gained from reading.

Image composition, color harmony, artful posing, controlling the light - both ambient and flash, getting a baby to cooperate, a high school senior guy to smile and a family group of 20 to all look at the camera at the same time - with their eyes open - are skills you'll acquire by doing.

Make no mistake, if you make the decision to be a photography expert - a combination - of both knowledge and skill are required to become successful.

Find What Trips Your Trigger about Photography

Potential careers in photography are wide and varied. Simply saying, "I want to be a photographer" is not going to get you where you want to go.

Author of the book, The Peter Principle, Lawrence J. Peter once wrote;

"If you don't know where you are going you will probably end up somewhere else."

If you have not yet decided where you want to go in photography, now is the time to decide, to explore, to find out what it is that trips your trigger about photography.

There are photographers who make a fine living doing nothing but headshots for models, actors and executives. There are still others who make careers out of forensic photography, pet photography, architectural photography, or sports action photography. I have a friend who makes in excess of $100,000 a year doing nothing but youth team sports photography.

Learn a Trade to Pay the Bills

No, I don't mean becoming an electrician or a carpenter or a plumber. Although believe me, I have many friends in a variety of trades and while their work may not sound "creatively fulfilling" to you, not a one of them is making anything less than a comfortable living.

There's nothing that says you need to concentrate on one particular area of photography. However, you will find the path to success much smoother, your quest to be a photography expert more attainable, if you hone your skills and become known as the go-to photographer in a smaller niche.

Similar to learning a trade, developing a strong niche can provide income security over the long haul of your photographic career.

As example, for years we've offered a variety of themed children's promotions in our studio - the most successful of which has always been "Babies and Bunnies." Live baby bunnies and kids are a perfect mixture for beautiful images.

While we don't do this promotion any longer, for years we'd be booked solid for the four-day event - with very minimal marketing. The word spread and people would call months ahead of time to schedule their bunny pictures.

Could I make a living photographing only "Babies and Bunnies" sessions? No. But it did provide consistent, dependable, predictable revenue at that time of year. Just think what you could do if you developed an entire calendar of themed portrait events like this!

Be a Photography Expert in the High School Senior Market

If your photography research leads you in the direction of specializing in people portraiture, then I would highly recommend making high school seniors a part - or the focus - of your career.

A primary key to the success of any business is a market of potential clients ready, willing and able to buy - with the motivation to do so. Consider the difference between the family portrait market and the high school senior portrait market.

Every family knows they should have a beautiful family portrait created. But there's very little to motivate them to act. There's no outside force, no impending event, no sense of urgency to have a family portrait done now. Sadly, I've been asked - on four different occasions - to create family portraits where one of the spouses was dying. On two of those occasions the spouse didn't live long enough to even see the finished portrait.

Contrast that to the high school senior portrait market. Seniors across the country graduate from high school at the same time each year providing a built-in sense of urgency. And graduation from high school is a significant event many families wish to remember with formal portraits.

Choose Daniel-son

A career in professional photography is an aspiration well worth pursuing. You will not be successful overnight - but then anything worth pursuing takes time. You can start gaining the required knowledge immediately - there's nothing that says you can't.

Simply make the decision - to be a photography expert.

Best DSLR Camera for Beginners - What You Need to Know


Whether you are experienced or beginners in the world of digital SLR, it can always be difficult to sort out all the makes, models and brands. If you are an avid photographer like me, or you just love to keep the events of life, a camera is a must have for you.

I have been an ardent photographer since young and have own more than 5 cameras over the past 12 years. Have owned both film and digital cameras but do not have the courage to venture into a digital SLR (single lens reflex) camera. My doubts were cleared, when my cousin showed me some of the photos she has taken at her brother's wedding using a Canon DSLR camera. The price is reasonable and the camera is simple to handle and maintain for a beginner. This digital camera for beginners comes with a 10-megapixel CMOS sensor, a dust-removing filter and using supersonic waves, which removes any dust particles collected on the lens whenever you use the camera.

Pros

Many of the advantages of SLR cameras derive from focusing and viewing the object through the lens attached. SLR cameras provide photographers a viewing image exposed onto the negative per exactly seen through the lens and this provide photographers with confidence and accuracy. The key popularity of digital SLR camera is the ability to select the best lens and interchangeable lenses and less shutter lags. With a DSLR, you can adjust the light, and electronic flash to prevent blurriness in your pictures.

Cons

The price of SLRs in general also tends to be somewhat higher than that of other types of cameras, owing to their internal complexity. Overall the camera is more bulky and heavy to carry around and use. SLR camera is also more complex to use but with digital SLR you could opt for either using the manual or auto features. Using the auto features will reduce the usage complexity but will take away the fun of experiencing high level photography with SLR features.

If you want to be able to do all those things and much more, the first thing you need to know is a little bit about how a SLR works. Which DSLR is best for amateur photographers. But the best thing you can do with your DSLR camera is to use it. Check the website below for best deals and find out more about DSLR camera for beginners; enjoy and have fun.

Thursday, November 7, 2013

Philosophy of Life - Education


"Truth calls us to submit ourselves to the community of which we are a part, to fidelity to those bonds of troth in which our truth resides. This view is dangerous, for submission, will transform us, require us to become something new. In truth our lives are no longer our own but belong to the whole community of creation" (Palmer, To Know As We Are Known, pp. 67-68).  

Palmer has within this quote nested the role and effects of truth within our concept of who we are and what we are. One of the fears attending those who truly strive to change, refine and improve who they are, is whether their developing character, persistence and clarity of vision will sustain them in this endeavor throughout their life. The first fear I felt at that moment, when I realized I was experiencing a form of illumination and insight unique to human experience, was whether I could remain true to that vision and thereby exemplify the obedience to that truth, that would prepare me to again receive such a life-clarifying experience.  

Who I am cannot be separated from the principles and truths that give meaning and direction to my life. As I refine and become this person I believe myself to be, then that awareness dictates expectations that guide me in how and what becomes meaningful and truthful in my life. When a teacher focuses on the expression of learning (homework, written assignments, oral responses) without an appreciation for how that learning defines the learner and without a regard for compassion for who the learner is, then the learner will experience a deterioration of his/her self-identity.  

This deterioration might be reflected in a short story. In an elementary class, a teacher held up a self-portrait of one of her students. This student was shy, seldom spoke or participated in discussions, was not well-treated by other students and at other times, basically ignored. The teacher wanted to show the effect negative comments and exchanges could have on a child.  

She started by telling the children she had a story to tell about the person in the picture. When the student got on the bus, the bus driver growled at her and said hurry up, I'm late. The teacher tore off a piece of the girl's self-portrait. When the student got off the bus, a boy bumped into her and said, "Why don't you watch out where you are going!" The teacher tore off another piece of the girl's self-portrait. When the little girl went to place her coat and bag on a shelf, another student said, "You can't put your stuff there, that is my place!" The teacher tore off another piece of the girl's self-portrait. During the reading class, the teacher asked the shy girl a question, but she was slow to respond, so the teacher ignored her and let another student respond. The teacher then tore off another piece of the girl's self-portrait. When the children went to lunch in the school cafeteria, an older child bumped into her and knocked some of her food on the floor and then someone yelled at her, "Clean that up!" Another piece of the girl's self-portrait was torn off. By now, there wasn't much left of the little girl. At the end of the day, the little girl began to cry, and a classmate said, "Don't be a cry baby." Something inside the little girl died just a little bit each time part of her self-portrait was torn away.  

The class became very silent. They felt the pain. They didn't like the feeling. They knew it wasn't right. The teacher then led a discussion on how each student could do his/her part to restore the little girl's self-portrait and thereby the self-image of whom she is and the role she might assume in the class.  

Palmer implores us to heal the wounds that society inflicts upon its members. Teachers should be experts at healing the wounds of personal identity, of nurturing and sustaining a child's vision and/or belief in whom she/he can become. How I view myself allows me to give space to others that they too may view themselves. Part of who they are I can see, and part of who they are is inside of them and I can only see that by what they choose and reveal to me. Many are afraid to go inside themselves because others diminished and marginalized who they were becoming. I must create a space that allows them to recognize their place.  

As I was growing up and learning to make friends, I realized that the people I knew had one of two influences on me. They either influenced me to care more or to care less about life and its various activities. This idea has served me well over time. The influence of this class, our discussions and the increased skill we are gaining in expressing ideas, truths and identities, has led me to another realization. This realization impacts our ability to sustain those positive attributes and features of our identity, especially under duress.  

The people I associate with continue to have one of two influences in my life. They either expand and enhance my identity or, they diminish and marginalize it. This principle is experienced in our schools everyday with profound negative effects on a student's identity and their social role. This realization is similar to an observation skill I learned while studying and enjoying photography. When I would look at a person to take their picture, I noticed that their facial symmetry was not exactly balanced. Each person's nose points either to the left or the right; I don't know which way dominates. I also realized that a feature of beauty occurred when a person's facial symmetry was more balanced.  

What does facial symmetry have to do with expanding or diminishing who we are? Philosophically, I have been able to refine an earlier principle, and in the process heightened my awareness of how our interactions influence and affect our identity. This principle is important in how teachers and persons in positions of authority magnify or marginalize other people, especially students.  

This paper is about the importance of identity for all people, adults and adolescents, and how this impacts the quality and kind of interaction between teacher and learner. It provides a philosophical basis and understanding of the adage, "I don't care how much you know until I know how much you care!" I also hope to demonstrate by a few experiences how education's lack of whole vision or misunderstanding of the importance of individual identity and social role is frustrating the learner and corrupting the learning environment.  

II         Space/Leaving some things unsaid.  

An experience happened this semester that helped me to understand a person's identity and how I might enlarge it, yet challenge the person's role as a learner.  

Walter, not his real name, was in one of my classes and having difficulties. These difficulties resulted in his distracting the large group teacher and getting in trouble. We got along all right in the small group class because I was able to interact with him more easily because there were fewer students and the rapport in the class was different.  

Later in the semester, he was having some difficulties again. While the class was busy with a group activity, I invited Walter to visit with me to the side of the classroom. He came over, sat down, and tensed up his demeanor. He was ready to be reprimanded for his disturbance. He was ready to experience another negative teacher-student private conference. He had heard it before and would probably hear it again.  

I smiled at him. He looked at me, a little confused. I asked him how things were going in his other classes. His face lighted up and the tension seemed to go out of his body. I talked to him about him. I encouraged him. I didn't act like his teacher and I didn't treat him like my student and it made a difference on the inside of him that shined on the outside, through the tone of his voice, the attentiveness of his eyes and the smile on his face. We felt good together.  

I became a better person/teacher because I recognized this was a moment where place to learn and space to have one's identity acknowledged occurred. I left an expected thought unsaid and reaped the cooperation and good will that was sought. I learned to be a teacher by being a positive influence in his life and providing him a role and place in our class.  

III        October Sky: How Choices Reveal Who We Are.  

Philosophy provides a variety of insights and views of who we are (ontological), what we know (epistemological) and what we value as beautiful (axiological). Reading October Sky and then developing it into instructional material has taken me on a path that reflects principles of identity and truth in learning.  

I will explain the meta-cognitive process I have traveled to see something very familiar, in a totally different context. First, I read the text and realized it would be interesting for other students to read. I thought of the novel first as an English teacher, then next as a reading teacher. I began to ask myself what we should be learning from this story. What principles might we derive that can influence how we act and think? In conversation with a few students in another class, I though about the role of rebels who bring about social change. This progressed until I had a "Big Idea," which was social change. But I didn't have a time reference. Various reference materials and historical events led me to identify social change as it occurred from 1955 to 1965. Granted, October Sky was not written during that time, but it is based upon true events that occurred during that time, focusing on the launch of the Russian satellite, Sputnik, on October 4, 1957. I came up with a multifaceted integrated plan that totally changed what I thought about the book and how it might be used to teach truth and help define who we are by these truths. My perspective went from a single, specific resource to a global vision of what might be chosen, learned and accomplished.  

The amazing part for me was how my vision of the instructional process changed. Initially, I wanted to share and teach the story contained in October Sky. Next, I wanted to use October Sky as part of the materials students might access to study social change. Then I realized there were different ways I could teach the materials, emphasizing different types of intelligences. These intelligences were 1) verbal/linguistic, 2) musical/rhythmic, 3) bodily/kinesthetic, 4) logical/mathematical, 6) intrapersonal, 7) visual/spatial, and 8) naturalistic.  

Then I realized the many different kinds of genre available for learning, which included radio broadcasts, speeches, videos, period novels, sports, newspapers, magazines, history books, social history, personal accounts, and rock and roll music. How would the students interact, individually, in dyads, small groups, or as a whole class? I realized that different activities would occur in different settings and in different groupings. Next I considered how students might represent their knowledge. This led me to realize there are so many ways to show learning and to make meaning. By this time, I had lost my focus on the novel October Sky and was totally refocused on providing choices to the individual. For a visual image of this new perspective and orientation to the individual, look at the graphic supplement at the end of this report.  

This transformation of how learning occurs represents many of the philosophies we have studied. John Dewey expressed in his time an incredible buffet and variety of instructional subjects. He saw learning as not classroom bound. He saw learning as an adventure, as discovery, as interesting and revealing to both student and teacher. Learning was wonderful just for the sake of learning--and for the enlightenment it brought to educated minds. Dewey's optimism was reflected in his acknowledgment of who and what the human spirit is, which dwindled to insignificance as represented in Hard Times by Charles Dickens.  

Different philosophies of learning can be characterized in how they recognize or do not recognize the role of the learner in making meaning. Essentialism disregarded the individual in favor of organizing and accumulating the world's body of knowledge according to separate and discrete disciplines. The focus became the target content. Perennialism wanted to stimulate both intellectual and spiritual development, but the subject matter remained the focus, rather than the child and his/her interaction with the content. My approach to social change allowed for non-lock stepped, sequenced instruction, contrary to most past and present models of efficient educational instruction.  

Postmodernism rejected the possibility of the student making meaning by linking personal experiences to classroom knowledge and thereby asserting to have found or realized some type of truth. It did emphasize the role of learning as a factor in the individual taking on social and moral responsibilities in society. Classroom knowledge represented current opinions, but not necessarily truth. This body of classroom information was to be deconstructed of anything that was not totally explicit.  

Constructivism comes much closer to my model of encouraging learner choice. Constructivism denounced pre-digested instructional materials and emphasized the readers need to interact with the text to discover and uncover the information that would refine and delineate the student's identity. The learner became equal partners with the text in making meaning.  

Today there is an emphasis on multi-cultural education. This cannot happen when educators are apologetic about the influence and role of white-European-Caucasians in the construction of our country, its freedoms and ideals. There needs to be a synthesis of principles that identify the individual and the individual as community builder. Although many of these communities are ethnically diverse, the individual, family and cultural needs and expressions are more alike than different. These similarities need to be highlighted, not the fact that the variety of human experiences are different because they occur to different races and nationalities.  

I think Ivan Illich (Deschooling Society) might be encouraged by the amount of home schooling that is taking place. I think he might be encouraged by the questions and challenges new graduates in education are posing to the administrators of their schools. I believe Universal Design Learning has the potential to integrate and build community among a heterogeneous and diverse group of learners, if the teacher can gain the spirit and vision of UDL that recognizes learner choices. I don't believe that most current teachers have the psychological aptitude nor the skills and strategies to implement differentiated learning. Most lack the influence to help them transform there focus and regard for the knowledge to that of the whole individual that deserves an education of truth and obedience to truth.  

I believe there is a gravitational force that brings the obedient observer of truth into contact with more truth and knowledge that sustains the power within us. I believe it is my duty to provide a space that encourages the learner to look back in time to the place where experience birthed meaning that awaited the space to be recognized and integrated by the obedient knower of truth. Compassion and love are the attributes that keep us focused on the "who" and to match it with the "what" that supports the development and realization of who we are becoming.  

IV        Diminishing Identity.  

This situation occurred in a reading and study skills (RSS) class at BSU. There are three main participants to this story, the student, who I shall call Jane, the teacher and the teacher's supervisor. The semester had progressed through the 4th week. One of the class requirements was for each student to buy 100 index cards and begin collecting unfamiliar vocabulary from their content classes, which could include the RSS class.  

The first 25 cards were to be reviewed by the teacher. Upon looking at Jane's cards, the teacher noticed the words "mathematics, history, and language." He asked the student about the words and basically challenged the fact that they constituted vocabulary words. The teacher had been teaching non-native speakers of English abroad for the past ten years and vocabulary study was an important and integral part of the curriculum. The teacher was somewhat confused as to how or why native speakers would choose such words when non-native speakers would know that such words do not constitute unfamiliar vocabulary words. Her feelings were hurt; she felt embarrassed and decided not to come back to class.  

After a period of three weeks and having not attended the large and small group classes during that time, Jane confided in the large group instructor what had happened and how she had felt. The large group instructor, who was also the supervisor, then spoke to the teacher at great length on the matter. The teacher said he would speak to the student and attempt to rebuild the teacher-student relationship.  

The teacher had a thirty-minute meeting with Jane and apologized and expressed his sincere and deep regret at what he had done. He also explained how these things happen (and had happened to him) and that they are rarely intentional, yet such an experience is just as painful and embarrassing.  

As a result of this conversation, the student returned to her class, finished her assignments and passed the class. In this case, respect, rapport and a closer, more helpful relationship was restored between that teacher and his student, Jane.  

At the end of the semester, the supervisor again reviewed with the teacher the situation with Jane at great length. He extrapolated that this was indicative of the teacher and that he might lack the sensitivity and rapport to continue in his duties. The supervisor was not interested in how the problem had been handled and resolved, nor did ask for more information on why the problem occurred in the first place. The teacher accepted the negative evaluation politely and sincerely and believed that was the end of the incident. But it was not. The incident was expressed to another higher authority who indicated that if that is how the supervisor felt, then perhaps the teacher should not be retained in his current position for the next semester.  

The teacher began to think about the situation, about the evaluation and the implications of how it characterized him. The teacher knew that this characterization was not correct, but why had it happened? What precipitated the difference of opinion between Jane and her teacher over what constituted a vocabulary word?   

The teacher had learned a lot about his identity from Parker Palmer and Wendell Berry. He had learned principles that allowed him to look for an explanation and a different interpretation of the events with Jane. He found some of them.  

First, the vocabulary assignment had been made by the supervisor, rather than the teacher. Second, the question of what constituted a vocabulary word was not discussed and agreed upon between the supervisor and the teacher. Third, the students did not have the direction or guidelines that may have resulted in a closer match between the intention of the assignment and the student's interpretation and expression of the assignment. Lacking these conditions, a misunderstanding and mismatch between assignment, student interpretation, teacher expectation, and the supervisor's evaluation resulted.  

The teacher, because of his belief in and understanding of his identity and the role of obedience to truth, was able to understand and interpret the events more honestly and clearly than previously done. He had benefited from the supervisor's comments, but felt the implications lacked a more complete understanding. This same insight that helped him clarify the situation also helped him mend Jane's feelings and encourage her to successfully complete the class.

How to Balance Sports and Academics As a High School Student Athlete


High school can be a busy time for every student, but for athletes, that business can be tenfold. Learning how to balance sports, academics, social lives and downtime takes serious dedication and time management skills. To help maximize your time, try these tips to learn how to manage high school sports and academics.

•    Schedule your week in advance. Set aside realistic times to study, practice, train, and meet other obligations, and stick to the schedule as much as possible.

•    Use the same place to study each day. This will make it a regular part of your schedule and soon will be second nature.

•    Be flexible when you can. Remember that life happens, so while sticking to your schedule is important, there are times when you will have to switch things up.

•    Don't forget about downtime. If you are constantly running, working, studying and practicing, you may start to feel burned out. Even if you're just setting aside 30 minutes each evening to read for pleasure, make sure your schedule includes some time to relax and unwind.

•    If you find an area where you are struggling, don't ignore it. If a certain subject is giving you trouble, seek out a tutor to help with your studies before your grades start to slide. If a certain skill on the field is giving you trouble, schedule some extra time each day to work on it.

•    Remember to have fun! Be a good student and a hard-working athlete, but also take time to enjoy yourself.

•    Sticking to the same routine may at first seem mundane, but by doing so, you'll find that completing everything on time and on schedule will come more and more easily.

•    Set high expectations for yourself, but don't be too hard on yourself either. Remember that occasionally, we all drop the ball.

•    Experiment with study and practice schedules & styles until you find the time management techniques that work best for you. Many schools may have counselors on hand who have specific training in time management. Use these resources!

Photography - Camera Lens Converters Verses Camera Lenses


Being an avid user and fan of the DSLR digital camera I realise that there are quite a few choices when it comes to low cost picture improvement. Wouldn't you agree that it is great to get that DSLR camera that you wanted, and even better once you have mastered the basic uses and functions that that camera has to offer? But what camera equipment choices do you think you should be making in order to take the next step in getting even better results from your efforts and camera.

I guess the first thing is being sure to get the camera that best suits you and your needs, which is not especially easy with so many digital camera manufacturers and each one having an extensive range to choose from.

The SLR (Single Lens Reflex) versions of digital camera, the DSLR have some truly outstanding capabilities even when standard, the picture quality when using the auto modes can make even the most basic of pictures appear as though they were taken by an expert.

So deciding on a DSLR digital camera makes more sense as it will give you far more options and choices for a multitude of options, as well as possibly the best results for your money.

Choosing the manufacturer and model for your DSLR requires a little research and weighing up all your personal requirements, not least of all the cost. The best place to get a great camera deal is not necessarily the high street store or mall, instead focus on the Internet.

Online stores have a lot less overheads and only have each other to compete with so searching for the right deal can take a bit of time, but by being smart you can find a site that has done all the legwork for you. Online deals offer great discounts, vouchers, and in a lot of cases you will even get free delivery.

Moving On...

There are so many accessories and extras that will catch your eye, one of which will no doubt be telephoto lenses for getting some great distance photographs that might otherwise be lost on a smaller lens.

Generally with a majority of DSLR cameras you should get something like 18-70mm or round about that so the first step up would be to go for a 200mm lens.

There are a variety of choices when it comes to lenses as well as in some cases a hefty price tag as well, but needless to say that the dearer ones are going to be better optical quality giving better clarity at distance.

There Is a Cheaper Option...

Alternatively for a much smaller price tag you can buy what is known as a 2x camera lens converter. (Before going any further I should like to make it clear at this point that the majority of converters only tend to work while using manual mode for focussing. That said the results can certainly be phenomenal and give the users two great ends of the scale).

Converters give you benefits of both worlds as they are ideal for close ups offering 2x the magnification that you previously had as well as great distance shots too.

This is something you would not necessarily get if you had bought a bigger lens as the lower ranges tend to be pretty high. For a 18-70mm lens you will now have 140mm top end, but for only a fraction of the cost of a 200mm lens.

This is a great comparison and for anyone starting out should give them all the need range wise for some time, but the inevitable will probably happen and the mindset will change to thinking of buying a 200mm camera lens or bigger and using the camera lens converter to make it a 400mm.

But That is a Different Scenario Again...

Whatever the thinking or decision when it comes to buying DSLR digital camera lenses and accessories a camera lens converter is always going to be a great buy due to it costing a lot less than a camera lens and can improve your close up photographs as well as your distance shots.

About Photography


When a painter paints a picture, he is an outsider, looking at the world with amusement and curiosity. The moment is private, the painter looks at the world through the comings and goings of the world, at something that wasn't at all apparent but which was always there.

In photography, a different social code protects both participants: the sitter and the photographer. The sitter, his spontaneity suspended and his best appearance displayed, invites scrutiny.

Photographers can supplement the fundamental attitudes of the human mind and body with the more extrinsic gestures of daily behavior. They can profit from the mobility of the snapshot camera, reaching into the world as an intruder and creating a disturbance. The photographer captures the spontaneity of life without leaving any trace of his presence.

Hence the detachment of the artist becomes more of a problem in the photographic media because photographers must immerse themselves bodily into situations which call for human solidarity: the photographer must be where the action is!

The photographic medium is immensely valuable for documentation, but it's less suited to interpret or explain relevant aspects of what's going to be shown. Illustrations are more useful if one desires to clarify spatial relation or tell what belongs apart or together because only drawings are able to translate into visual patterns what has been understood about the object.

Photographs cannot be self-explanatory. Their meaning depends on the total context of which they're a part. It depends on the attitudes and motives of the persons depicted that may not be apparent from the photos, and it also depends on the values attributed by viewers to life, to death and to human beings in general. Consequently, when photography wishes to convey a message, it should try to place the symptoms it exposes into the proper context of cause and effect. This will always require the help of the written or spoken word.

How to Make Money in Freelance Photography - Senior Portraits


If you're reading this I'll assume that you're similar to me, constantly looking for ways to increase and grow your photography business. Through my 10+ years of freelancing I've discovered that I wasn't the greatest business man, but I was great at turning out products and pictures that my clients were extremely happy with. My problem, as is the case in most freelance artists, was my lack of self promotion. It can be draining to be a one man show, playing the part of secretary, designer, photographer, and accountant can lead to a lack in the marketing side of your business, which is your bread and butter, your money maker.

So why do most of us fail at this? We fail because we're artists, not marketers. Our passion lies in creating, not in promoting. This is where we separate successful photographers from ones that fade away. I see more photographers with far superior skill get upstaged by less talented photographers all the time, and it all comes back to self promotion.

So how do you successfully market yourself? As we all know advertising in the Yellow Pages is expensive, it opens up you to a broad audience, but doesn't always mean big business. So lets start small and work our way up. So what is your niche? Think about what your focus is and target that audience on a smaller and more direct scale. Let's take senior pictures for example.

#1- With marketing materials in hand, approach a school and ask if you may leave your fliers/brochures for senior pictures. This should always be done at the very beginning of the school year, as most schools have a short deadline for the yearbook. If you run into trouble with this, use one of the following three steps to work your way around it, some schools have so many photographers vying for promotion that they instantly shut off when they hear another photographer wanting free promotion.

#2- Coordinate with a leadership group at the school. Most leadership groups are responsible for raising money for senior class trips and parties, so if you offer a small kickback to the leadership committee, 5%-10% of your picture sales, for every person recommended and distribution of your materials it's a win/win.

#3- Approach the yearbook and/or photography class at a school. Find out if you can come in and teach a seminar on how to take better photographs, how to use PhotoShop/lightroom to improve photographs, how to shoot indoors, etc. This is something I do to keep a closer relationship with a school, which is important for future relations with that particular school.

#4- Most high schools run some sort of school publication or paper, approach the school directly or by phone and let them know that you're interested in advertising in their school paper. Most school publications are inexpensive to advertise in, and target the exact audience you want. Make sure your advertising hits on your "unique selling point". "What separates me from Joe Blow Photography"? Ask yourself that question and implement it into your advertising.

It's up to you how successful you want to be at each school you approach, but you're bound to be more successful if you attempt even one of these steps. My recommendation is to follow all four.

San Francisco Wedding Photography Locations


You want to remember some moments of your life and you want to forget the rest. Your wedding is one of the most memorable and best events that you will want to remember forever. Your wedding can be remembered solely in your mind, or through your mind and a couple or three really great photo albums. It is a universal truth that memories will fade in time. It happens to everyone and is just one of those inescapable things about life. To bring back some of your most important memories you need to capture them on. What better way to capture one of the happiest days of your life then through wedding photography, and what better a location to shoot your wedding photographs than in the beautiful Bay City of San Francisco, California. San Francisco and the Bay Area in general have many great locations to get some great wedding photography shot.

There are probably hundreds and hundreds of great locations to get wedding photography done in San Francisco. There is an abundance of picturesque architecture, great places stunning with their sheer natural beauty, and that ever-unpredictable San Franciscan weather. Despite the many gorgeous locations that San Francisco and the Bay Area have to offer you, there are only a few ideal places where you can get the perfect wedding photos shot at. The Bay City has locations to suit whatever your tastes of backgrounds, location, weather, and more are. If you are looking for a backdrop with architecture, then the Palace of Fine Arts is just for you. The Palace of Fine Arts offers many wonderful examples of classical architecture, which will lend you an amazing background in your wedding photographs. If classical architecture does not fit your tastes and you have always loved the beach, then Baker's Beach is perfect! Photos taken of your and your beloved at Baker's Beach will include the beautiful backdrop of the famous Golden Gate Bridge. If you want a more natural scene, Baker's Beach has some magnificent boulders and moss covered rocks that will make your wedding photographs truly unique. If you have been to the beach enough or if you think that wedding photographs taken at the beach are too clich矇 for you and your partner, then you should try the Legion of Honor building (it doubles as a pretty interesting museum during the day) with its majestic columns and architecture. If buildings and the beach aren't your thing, then the Golden Gate Park might be a great location for you. The Golden Gate Park comes replete with a lake (Stowe Lake) and a waterfall that lends a touch of the exotic to your photographs.

Memories can be fleeting but photographs are forever. Your wedding is something that you want to remember for yourself and for your future progeny. You want to look back on your photographs and marvel at the architectural and natural beauty of the scenes where you and your partner were shot. If you're thinking of getting your wedding photography done in San Francisco, then these are the places to look at.

Wednesday, November 6, 2013

Digital Photography Secrets - Recognizing Different Types of Light


One of the greatest digital photography secrets that everyone should know is recognizing the quality of light. The vast majority of photographers just put the camera to their eye and start pressing the shutter. Without thought or perception about the quality of light.

There are some basic categories to consider:

1) Light can be harsh.

This is direct sunlight that makes your subject squint when looking directly into it. This is the midday sun that beats down on our subject and casts harsh shadows on faces and creates contrast that few cameras can even record.

2) Light can be soft.

This is the beautiful light that comes around sunset and sunrise (though most aren't awake to capture it). This is the coveted light that National Geographic photographers work in almost exclusively.

Next time you see a copy look at the time of day that most of the photos were taken. You can tell by the shadows. Almost every single image is taken near sunrise or sunset. If these acknowledged professionals only shoot at this time of day, when should you shoot? Soft light can also be found on overcast cloudy days.

Here's a digital photography secret, the smaller the light source the harsher the light and the larger the light source the softer the light will be.

For example, the noon day sun is just a small point of light in our sky and the shadows are very harsh and defined, right? On a cloudy day, the sun's light is dispersed over a large area and the shadows are very soft and undefined. Viola. Now you see the difference! Soft shadows are nice to our subjects and harsh shadows are hard on our subjects.

Here's another quick lighting secret: If the light coming through your window is too harsh, try taping a semi-clear shower curtain over the window. The light will be soft and diffused because the light source will be enlarged to the size of the curtain. A giant soft box just like the professionals use that you bought at Wal-Mart at a tenth of the cost!

3) Light can be bright.

This is usually, but not always, found outdoors and allows the photographer to handhold their camera and shoot at a low ISO (That's the sensitivity to light setting on your camera. Try 100-400 for outdoors).

4) Light can be dim.

This is usually found indoors or early or late in the day. The ISO setting should be between 800-1600. A tripod or monopod should be considered to keep your images sharp.

Your assignment is to begin recognizing and identifying these different qualities of light. Practice seeing them before you press the shutter and you will quickly be on your way to seeing like a professional and unlocking the digital photography secrets that everyone should know.

Sources of Funding for Startups


There's an old adage when it comes to business that you have to spend money in order to make money. Whether you are looking to buy stock or simply get your work from home website up of the ground, you will need to find some kind of investment in order to get your business running.

There are, of course, many types of business that don't require funding in a traditional sense. Any business in which your time is the major commodity requires only an investment of hours. Even still, you may require external investment to support the period of time that you need to give to your business before the money starts coming in.

In the middle of a recession, it would be natural to think that investment is difficult to find. However, with the growth of crowd funding services such as Kickstarter, getting the money that you need to start your own business is potentially easier than ever.

The First Steps of Funding

One of the most common problems that every entrepreneur faces is underestimating how much funding is required. Equally, it is important to be careful not to overestimate, making your target amount an achievable goal.

A good first step towards estimating and obtaining the funding that you need is working out exactly how your money will be spent. This is where a business plan or investment proposal comes into play.

Without experience, writing an entire business plan can seem like an impossible task. However, there is a great deal of content online that can help you to get started. Business Link, a body funded by the UK government to promote new business, offers a step-by-step guide to writing a business plan for a new company, or one that you are hoping to grow.

Ultimately, though, there are just two guidelines that you should follow. First, figure out exactly what you need. Across advertising, stock, equipment and staff, draw up an estimated cost for every single part of your business. Secondly, make sure that you justify why you need each of these things. This is not only important information for a potential investor, but also a great way to eliminate unnecessary costs - if you can't justify it, leave it out of your plan.

Would You Invest In Yourself?

This is a great question to ask in two ways.

First, use this question to rigorously examine your business proposal, or strategy for growth. Forget everything you know about your business and your plans that isn't in that document. Would you bet your savings on the success of the company? Or would the investment be termed as high risk?

There is no right answer - some of the world's biggest organisations started out as high-risk investments. But knowledge is everything, so make sure that you know what kind of investment prospect you are before you start.

Secondly, if you'd be happy to invest in yourself, can you? Is there any way that you can find the money yourself, confident in the knowledge that your investment will pay off? Don't forget that even Lord Alan Sugar needed investment to start his business - so he took 瞿100 from his personal savings.

Maybe you could cancel the holiday this year, or give up eating out. If it's at all feasible for you to fund your own business, work hard to make it happen.

Traditional Sources of Startup Funding

Once you have an idea of the kind of funding that you will require, it's time to start looking for investors. Although a trip to Dragon's Den is a great way to get some exposure along with the money that you need, here are a few of the more realistic traditional routes towards finance.

Banks

Banks are the most obvious place to turn for investment in your small business. A traditional bank loan usually offers good rates of interest and doesn't require you to give away part of your business. However, most bank loans will not be able to match the large-scale investments offered by venture capitalists and private investors - after all, a bank is obliged to help as many people as possible in a small way.

After putting together your proposal, approach your bank. Although some banks will offer loans to people who do not currently hold accounts with them, your own bank will have a better understanding of your finances and, hopefully, treat you preferentially.

Private Investors & Venture Capitalists

As soon as you hear the phrase 'private investor' or 'venture capitalist', it's easy to be intimidated. In fact, these terms are very simple - they are individuals or organisations that want to invest some of their money for a profit.

In return for investment, you will be asked to part with some equity in your business. For example, if your business is currently valued at 瞿250,000, an investment of 瞿50,000 would typically give the investor 20% of your business. In practice, this means 20% of the control and, most importantly, 20% of all profits.

Private investors are, however, likely to be more flexible. If you can connect with somebody who genuinely believes in and is passionate about your new business, you may be able to find a better deal.

A great place to start looking for venture capitalists or private investors is online. A quick Google search reveals hundreds of companies that are willing to hear investment proposals, including niche investors that are looking for specific business types.

Get Your Capital From The Crowd In The Cloud

Increasingly, investment has taken on a different face - a friendlier one.

Websites such as Kickstarter.com, Fundable.com and Crowdcube.com all take a distributed approach to investment, making it possible for individual consumers to invest small amounts in the products that they like. Of course, when you add these small investments up, you can get your hands on astonishing amounts of funding.

Crowd funding, also sometimes referred to as cloud funding, works like this:


  1. You put a proposal online, detailing your business, or your idea. Include rich media such as videos and images, showing the potential of your business and any products involved.

  2. You set a target amount that you wish to source.

  3. Investors and customers can 'invest' in the business. Usually, they do so for specific rewards. This could be shared equity in the business and potential profits, one of your products, or just about anything.

  4. If you reach your target amount within the specific time (depending on the site), it's yours - the money is transferred and you can get on with building your business and thanking your investors!

According to online magazine The Browser, crowd funding websites attracted €10 million of investment in 2011.

Crowd Funding - The Glif Success Story

One of the greatest success stories comes from Kickstarter.com, where two men from New York published a proposal for a new iPhone accessory. The Glif is incredibly simple, used to mount the iPhone 4 to a tripod for better photography and filming.

The inventors offered four different levels of investment, from $5 to $250, with a target investment of $10,000. In just days, more than 5000 people had shown their support for the product by effectively 'pre-ordering'.

The Glif has since gone into full production - not with the $10,000 budget that was required, but with a staggering $137,417.

For more information on The Glif, see the Kickstarter investment page.

Crowd Funding Tests Your Idea For Free

Although some of these crowd-funding sites are tailored towards creative business, they mark the future of funding for just about everyone. Who better to get passionate about your business and make an investment than the people you hope to sell to at a later date?

What's more, crowd funding gives you the opportunity to test the market for your products or services. The people who invest money through these websites are the people you will ultimately sell to - so publishing and marketing your proposal is a free way to start building your brand right now.

The creators of The Glif could confidently proceed with production, because they had already proven a large market for their product.

And of course, if there are not willing investors for your business, maybe you should reassess if a market really exists at all.

If You Don't Ask, You Don't Get

If I was to give one piece of advice to somebody looking for investment, I would say ask for it. It sounds painfully simple but, in reality, many small businesses never get off the ground because people don't trust that they can get help.

If you have a burning idea or a great business plan, there will be somebody out there who can help you to make it a reality. So ask them! Start contacting potential sources of investment, ask your bank, and never be ashamed to want money for your business.

When you seek funding, remember that you're not asking for a favour, you're offering the chance to be a part of something exciting - your business.

Can an Online Digital Photography Course Teach Me Anything?


If you have been taking photographs for years only to learn nothing much from it, then you might think that an online digital photography course has nothing for you. But the truth is, more and more "expert" photographers are finding that there are certain things about the digital camera world that mystify them. This is not surprising, however. Digital cameras are far more complicated and powerful than we give them credit for. There is so much they can do, and it would be very unfortunate indeed if you were to miss out on the many cool tricks and effects your camera is capable of just because you do not know which buttons to push-or how.

In a nutshell, you may be great at shooting with film but if you haven't learned the intricacies of the digital art, then you do actually have a lot to learn.

An online digital photography course is a great way for photographers of all levels, beginners and experts alike to learn from other photographers. For the beginning photographer, it is a way to learn about the art of photography, to learn all the basics, and also to learn how the digital camera works. For the expert photographer, it is a way to transfer their existing education onto the digital world.

You can find an online digital photography course for almost any subject matter - nature photography, close-ups, bridal, action, or even baby photography. Your choice of content is really endless, and in most cases, you can find a class that specializes in exactly what you want to shoot.

The advantages of taking online courses for most people are tremendous. First of all, they are usually considerably cheaper than a course at a local art school or college. You can also choose to take your courses whenever you want, wherever you are in the world, and if you want to stop for a while, you can always pick up where you left off later. This wouldn't be a problem at all because you can learn at your own pace.

You will find that many online courses also allow you to submit your work for evaluation, so that you will be able to get some feedback on what you are learning. This tells you what you are doing right or wrong. You will also have the added advantage of being able to chat with other photographers and learn even more. So go ahead, sign up for an online digital photography course. You will have fun and learn loads of new things, too!