Saturday, May 18, 2013

Online Blogs Provide Literally Thousands of Free Digital Photography Tips


Online blogs are ideal for those photographers who are keen on taking good clean shots and organizing their photos into part of their daily life, whether it just be online photo albums or the need to turn this popular hobby into a thriving online business.

These free digital photography resources are the result of professional photographers sharing their digital photography experiences that will soon have you hooked as though you were buying a monthly photography magazine, the only difference being that all of these photography tips are free.

Now if you've already heard enough and want to head straight over to Google and begin to find the very latest digital photography tips, but typing in "Digital Photography Tips".

If you want to read a bit more about the overall content of these many many digital photography tips, then you will be pleased to know that there are a whole bunch of photography tips for both beginner and advanced levels.

Even if you haven't bought your first digital camera yet, then you will find many tips for seeking and subsequently purchasing the best deals, for a camera that suits your own personal photography needs. If your intention is to sell photos online, then you should make sure you get a camera with enough megapixels, so that the resulting photos are of sufficient quality to be sold through the numerous Microstock photography sites, so getting the best education is vital so you don't just end up throwing your money away.

The latest Photography new and camera trickery are regular players on online photography blogs, so you will soon discover how to take the best quality pictures in a variety of differing surroundings both during the day and at night. So you will soon be able to really enjoy this very popular hobby with so many free online resources right at your fingertips.

How to Become a Professional Photographer and Live Like One


You have been an amateur photographer and now you want to get profit from your hobby by becoming a professional. In fact, there are many amateurs who want to do the same thing as you. Sometimes you will face some difficulties when you want to take a step from amateur to professional photography. Obviously your photography skill is an important factor, but other than that, you also need self awareness, patience, focus, and marketing skills. However, you should never feel discouraged because famous photographers used to be amateurs as well.

Important factors to become a professional photographer

Quality is very important and it is more important than quantity, by far. If you have started taking some pictures and find some good quality pictures, you should start marketing and selling immediately. Don't wait until your collection is too much, which can create sorting problems. By selling your pictures in advance, you also will understand the preference of the market so you can adjust your style to meet the demand.

The next important factor is to create an online portfolio. This is the best way to market your photographs and reach out to international audience. Preparing a personal website that contains some of your works is a good way to start making your online portfolio. It is better to include purchasing capability in the website, usually by credit cards, so visitors can buy your works immediately.

Perhaps the most important step to become a professional photographer is to promote your works as much as possible. Submitting your best photos to many companies that need this kind of work is a good idea. Some companies that you can consider are calendar producers, brochure makers, advertising agencies, and newspaper companies.

The last thing to remember is that you must not be fear of rejection. Many people are disheartened and stressful when their works are rejected. You must not allow the same situation to happen to you. If a company rejects your works, you should keep submitting to other companies because opportunities are everywhere. Of course you should make sure that the photos are of a good quality in the first place. Rejection is a part of photography career and you can learn from it.

Live as a professional photographer

When a person is paid to do things that he or she is an expert at, he or she can be considered as a professional. Some people say that it is only a hobby if you do not get money from the activity. The same thing applies to the world of photography.

There are two opposite schools of thought concerning professional photography. The first says that a photographer is an artist who can make pictures as what he wants. On the contrary, the second argues that a photographer is paid by others so he or she should make pictures that meet the requirements of the requesters. It depends on your choice of living to choose between these two scenarios because both can earn you money.

The demand for professional photographers is always high, especially in the world of marketing. You can see big billboards everywhere that need an involvement from a professional photographer. Marketers need professional photography to make their products or services much more tempting. Even a simpler work like taking baby photographs has its own market as people always want to remember their loved ones wherever they go.

Teach Online Classes - 6 Tips For Teaching Powerful Online Classes


Teaching online classes can be a tricky business, with the high speed of technology its tough to stay on the cutting edge. There are so many directions any instructor can take that its actually mind boggling when you think about it.

Here are some tips and tricks that you can use to make your job easier and manage the flow of information, while staying on top of the technology curve.

Use Props - even if you teach math, English or even spelling use props. There is something to be said for touching and handling props that you can learn from.

Create Community - regardless of how many students you have you should look to create a sense of community for your class.

Use Multimedia - audios, videos, reports, online testing software and any other type of learning medium. This will keep your students engaged and have a feeling of interest towards otherwise mundane lessons.

Offer To Troubleshoot - often many of your students are in the field that they are learning about. For example you may be teaching a math course to an accountant, offer to troubleshoot some real world issues. This will bring realism to your lessons.

Use Projects - for individuals and groups as way to determine progress, tests can be used to assess specific main points. Such as the hierarchy, relationships and linear processes involved with the material. However a project can show glaring gaps in the application of the material.

By using these tips you can easily create a highly successful online class that has powerful outcomes.

Art Photography - Composing an Art Photograph


There is more to an art photographer than what meets the eye. A common misconception is that art photographers are simply people who take pictures. The main difference between the two is that art photographers acknowledge that the base to fundamental design is the model's composition. In more depth, a picture is more than that smiling face or that beautiful design. A photograph taken by an art photographer will incorporate insight and thought into the background, foreground lighting of each, the color and the framing. It is absolutely necessary to compose a photograph first and then expose next.

In order to create a well orchestrated photograph there are guidelines to follow which allow you to take pictures as an art photographer instead of an amateur. If you take two pictures, one which utilizes the composition techniques that we are about to discuss, and one that does not, the difference will be remarkable. In fact, these guidelines were in fact used by ancient Roman and Greek artists many centuries before the invention of the camera. So take these guidelines to heart as they will allow you to make more desirable photographs. Remember, also that you can alter them to express your inner creativity.

Simplicity

It is important that you do not overwhelm your audience. With this in mind, make sure that your shots are not cluttered and that they appear to crisp with simplicity. However, the "simplicity" guideline should not be taken to the extreme as to not take photographs of detailed or intricate things. The main point of this guideline is to show the audience what you want to project. Make sure there are minimal distractions in your photographs.

Balance

Similar to using the simplicity guideline is the art of balance. This balance technique is to be used when setting up shapes, using colors, and especially when organizing compliments of light and dark sections. You should ask yourself "is this photograph uneven?" to ensure that you have used the balance guideline correctly.

Lopsidedness can actually be used if it is done correctly. If lopsidedness is used, make it part of the creativeness of the photograph. It will be less formal of a picture, but with the added use of basic geometry you can still achieve balance. The rule of thirds discusses this further.

Rule of Thirds

As humans, our eyes automatically focus on a spot which is two-thirds from the bottom of a picture. This as you can see is not a symmetrical approach as it involves thirds. Therefore, in order to take advantage of this phenomenon, you must make the main subject or dividing line in either the top third, or the bottom third of the photograph. You can use this rule of thirds vertically or horizontally which when you think about it, creates a 3 by 3 grid and 4 crosshairs. Include interesting points of interest at each crosshair.

Photo Paper - Glossy Versus Matte


How do you figure out which type of photo paper to use when printing your photographs? The differences between glossy and non-glossy, or matte, photo paper may appear to be obvious. But, there are some less obvious differences to consider when choosing your paper. And, there is a less known photo paper choice available to you which is known as semi-gloss, or satin finish, photographic paper.

Glossy photographic paper is the type we see most often in modern times. Usually, this kind of paper appears to be higher in quality and the photographs are more appealing to the eye. This is due to several reasons.

First, glossy photographic paper looks shiny. Matte paper does not have a shiny surface. Second, the glossy version has a vibrant color quality whereas on matte paper colors appear dull. Finally, the glossy reflects light well while matte paper doesn't reflect light.

As you can see, it is generally better to use glossy paper for your photos rather than non-glossy paper. However, be aware that there are some problems that may occur when using glossy paper. For example, photos tend to accumulate dirt and fingerprints more readily on glossy paper than on matte photo paper.

One other problem that arises with glossy photos is that they are difficult to view properly under strong light. In contrast, photos printed on non-glossy paper are easy to see in almost all light conditions.

One other thing to consider when choosing paper is whether you are printing color or black and white photographs. Often black and white photos will look better on matte photo paper because it captures that old world feel.

As noted above, there is one final photo paper choice known as semi-gloss or satin finish paper. It provides a sort of middle ground between glossy and matte paper. The paper surface is not as shiny as glossy paper but isn't quite as dull as matte paper. Colors are rich, vibrant, and very appealing to the viewer. Unlike the glossy type, the semi-gloss paper is easier to see under strong light. It also doesn't picking up as much dirt as the glossy version.

Transcontinental Train Travel Across Canada


Sometime in the near future make the time and effort to Travel Transcontinental by Train across Canada. It is one of the most memorable and truly spectacular journeys in the world. Plan your trip well and make the most of a journey that will take a minimum of 7 - 10 days or more depending on your stopovers in various cities and locations. It is very likely you will travel at least 5,500 kilometres, covering 5 different time zones.

Canada is the world's second largest country and yet has a very small population estimated at just over 34 million people (2010 estimates). The majority of the population live in towns and cities close to the United States border. Northern Canada is more remote and much colder. There is no question that Canada is a land of exceptional beauty with many different and varied contrasts.

When you travel by Train it affords you the time to experience, embrace and witness this magnificent country from the Pacific west coast to the Atlantic east coast across the North American continent. The stunning scenery will leave you gasping in amazement with images that will live forever in the canyons of your mind.

I recommend the journey to commence in Vancouver, British Columbia on the west coast and to terminate the epic train ride in Halifax, Nova Scotia on the east coast. Travelling this route allows you to visit a number of great cities and towns such as Jasper, Edmonton, Saskatoon, Winnipeg, Toronto (make sure to visit Niagara Falls - American and Canadian), Montreal and Quebec. Before entering Toronto you will by-pass the Great Lakes of North America. The winter Olympic city of Vancouver is definitely worth spending a few days in to see some of the beautiful sites before starting on your venture.

This fantastic trip will enable you to see and take in 2 great Oceans - The Pacific and the Atlantic, many great rivers, the magnificent Great Lakes and other lakes besides, phenomenal landscapes, forests that stretch as far as the eye can see, spectacular valleys, awesome mountains and of course the majestic Rockies.

Ensure to take a very good quality camera preferably with a zoom lens and capture forever the breathtaking scenery that will live forever in your memory. Just be sure to take the necessary time to enable you to appreciate what you see. This is one movie you are definitely going to nominate for an academy award once you have experienced the almighty and daunting embrace of Canada first hand.

The epic train journey across Canada, like no other in the world, will terminate in Halifax - a city so different compared to the other amazing cities of Canada. Every Canadian city has it's own unique style. When you're finished in Halifax and had time to enjoy the culture, if you have the money and time you can then travel back west by Train and benefit from the total experience again going the other way! This is one of those events of a lifetime - travelling by train across Canada.

Friday, May 17, 2013

Studio Photography - Do You Know the Six Advantages Over Outdoor Family Portraits?


Having a professional portrait at a photography studio with your family or children is a very important occasion and image for most families. Remember, this will be the image that will be displayed prominently in your home and every time you pass this image you will either love or hate it! In this article we will explore the advantages of studio photography as compared to outdoor photography, as well as help you to become a better consumer when you select a professional photographer.

The first advantage of a studio portrait with a portrait photographer as compared to outdoor family photography is that you do not have to worry about the wind blowing your hair around, unless you have a wind machine in the studio. This is especially important fact for people with longer or finer hair. Many times I would notice, just as I am getting ready to take the family's picture, the hair spiking in strange directions. Unless someone has intentionally spiked their hair most people do not want this type of look.

Second, with studio photography you can achieve a softer quality light, rather than a harsh and strong outdoor light if you're photographing in the direct sun. The problem with harsh light portraits (can usually be avoided in the early morning, late afternoon or under a shade tree) is that your picture will have what I call, "badger eyes." These are dark shadows that are created by a strong overhead light. Another problem when a photographer photographs his clients in this type of light is that people will squint or close their eyes more because of the sun's brightness and intensity.

Third, experienced portrait photographers usually have a better control of the lighting on his clients and the background in the studio rather than in an outdoor environment. In the studio it doe not matter if the session is at 8:00 am to 8:00 pm--the studio lights will be the same and consistent.

The forth benefit is that a family does not have to "hike into" a beach or park location. This can be a very important consideration when photographing the elderly, physically handicapped, or smaller children.

A fifth point to consider is the variety of backgrounds a photographer can offer in the studio. These backgrounds can be used to compliment the colors in your room where your wall portrait will be displayed. For example, the green color on the grass or the blue shades of the ocean or sky may not be an ideal color for your room, whereas a Tuscany background may compliment your room and skin tones better.

The sixth issue with the outdoors could be that there is too much stimulus for children: trees to climb, water to splash into, dogs or seagulls to play with, etc. I have noticed this as a particular problem with the hyperactive child or the active young toddler. Once they're in this active mind set, it is very difficult for the photographer to get the children's attention. The natural and genuine expressions with your children can deteriorate quickly in this type of environment. Also, frustrated parents, trying to control this chaos, usually resort to raising their voices or promising to give their kids the moon if they would only listen to the photographer. Sometimes these tactics work, but many times it is too late to capture that natural and genuine portrait of the children or family.

We sincerely hope that these six advantages of a studio photography, as compared to outdoor photography with your family, was helpful in your decision to have a studio portrait session for your next family photography or children photography session.

Potent Cure for Fear


Fear has been a long ageless foe of faith. Fear has always been at the base of most negative action that negates confidence and absolute trust in God when we are faced with challenges. Fear lowers self-esteem, erodes confidence and breeds doubt.

Fear is a reaction; reacting in accordance with what we see, hear and perceive that are capable of making us run in confusion and anxiety when it is actually not necessary. But when we can see the other side of possibility God holds for us, we would still be holding unto Him in confidence.

Fear produces an enslaving trust in negative expectations that may not even happen. Fear is really an image, a problem, a situation pulling stunts on the mind but when locked out of the mind, it runs out of ideas on how to get your attention. When fear is allowed into the heart it influences our lives and manifests in our actions and we become intimidated and harassed by it.

This is a suited acronym for fear:

F - False
E - Evidence
A - Appearing
R - Real

Faith is the complete opposite of fear. It is action: Acting on God's word. It is expectation born by awareness and firm by assurance. It only comes by hearing the word of God, which brings you awareness of what has been provided and made available before circumstances.

Faith could be described in many ways: It is obedience to what God says; it is a response to what God has done and not what He is going to do. Faith is persistent hope amidst a seemingly hopeless hope, which holds unto evidence seen through God's light (see Romans 4:18-21). Faith is the potent cure for fear.

The acronym for faith is:

F - Following
A - After
I - Inner
T - Truth
H - Hoped

There is an inner truth about every situation that you should always search for. This is why the Bible says: "and you will know the truth, and the truth will make you free" (John 8:32). The truth is actually what God's word says about any situation.

Fear comes to the mind to agitate it, as you keep thinking on things that fuel it. Faith also comes to the mind to stabilize it as you hear the word of God and remember the positive things that are possible in your situation. Both fear and faith come into the mind with a mission. Which one will you allow to rule your mind and dictate your actions?

Faith builds confidence, courage, hope and self-esteem. And confidence is the electricity that powers everyday progress and achievement. So without strong and deep faith in the truth you know, hear or see, you can't build confidence and suppress fear. The fear of failure, fear of the future and fear of things we are not sure about or thinks we can't do are all curable by developing faith and deep confidence in God's ability within us and all around us.

When fear knocks and faith opens, you'll be surprised no one would be at the door because fear cannot withstand faith. Faith is the cure for fear! There is a sure potent cure for fear; faith in the word of God that does not fail. So you just must endeavor to build faith around the truth you know, hear and can see! That will bring in the confidence that will eliminate fear.

When you venture into the things you feared, you'll discover they are really not worth fearing. Action dismisses fear and faith is taking action towards what you feared! The potency of faith in any situation cannot be doubted. It is simply a solution creator you need to strongly develop.

Professional Photography? 10 Character Traits of a True Pro


The most professional and very successful photographers that I have worked with during my own twenty-year professional creative career have all shared certain character traits. By developing these traits yourself, you can fast-track your own photography career development.

1. The ideal 'Perfect Photographer' needs to have a powerhouse work ethic. They accomplish things in a day that ordinary mortals take weeks to do. They seem unstoppable. They know their time is valuable - irreplaceable actually - and don't waste it watching TV or on Yahoo Messenger.

2. The Perfect Photographer is very easy to get along with, has great people skills, an excellent sense of humor and people naturally like working with them.

3. The Perfect Photographer is genuinely curious, interested and fascinated by their craft and loves innovation and inspiration from any source - a beginner or otherwise.

4. The Perfect Photographer maintains composure in stressful situations where others flounder and lose control of the situation and possibly themselves. In this sense, the Perfect Photographer inspires trust, confidence and belief because they are unflappable and unfazed by almost anything.

5. The Perfect Photographer is always experimenting with new approaches, new tricks, new lenses, new software etc. In short, they don't become cynical, bored, lazy or complacent with their skill level and are always enthusiastic and eager to find out cool new stuff.

6. The Perfect Photographer has clarity and knows precisely what they are aiming for at the final stage of output, e.g. a giant billboard poster, at the earliest stages of input e.g. conceptual planning. Small modifications early on in a project can have absolutely massive implications for a project later. The Perfect Photographer is always aware of this and is flexibly adapting, responding and problem-solving at each stage with the optimum later final output always in mind.

7. The Perfect Photographer is completely generous and recognizes the fundamental importance of humbly giving back some of their accumulated wisdom, experience or even money. They are a giver, not a taker.

8. The Perfect Photographer knows how to say 'no' politely. It does not matter who the 'no' is to, they are excellent at doing it in an inclusive and polite way that actually makes the other party respect her or him more, instead of less.

9. The Perfect Photographer has integrity and can be depended on, no matter what. If the Perfect Photographer says that they will deliver something, they will. If they genuinely cannot due to unforeseen problems, they communicate constantly with the person that they have made the commitment to so that the situation is crystal clear to everyone involved.

10. They are not at all egotistical and are motivated by their humble love of the process, the craft, the art, the science, of what they do. They are not interested in fame (but know how to promote their work to maximum effect) or extravagant wealth (but get paid a fortune) but instead feel like a 'servant' to the art of photography - if that is not too corny.

Now, which of these qualities do you have and which do you need to develop (a lot?) more.

Cloud-Based Inventory Management Software


'Inventory' includes raw materials, work-in-process, supplies and finished goods. It has associated costs, which may be classified as ordering costs and holding costs. Modern inventory management practices encourage holding amounts adequate for current needs - warehouse managers will tell you that it's unwise to hold large quantities in the warehouse. In most situations, a certain level or an optimum level has to be maintained to accommodate the production or business needs. Max M羹ller, the author of 'Essentials of Inventory Management,' says that it's an art to control on-hand inventory as a physical object (shelf count) and as an intangible object (record count and monetary worth). Warehouse managers have long felt needs such as appreciating the fundamental differences between finished goods, raw materials and work-in-process products: how to apply formulae to calculate it, compute breakeven points, profit margins, mark-ups and markdowns, selling price and margin percentages, select the cycle counting for the businesses, perform A-B-C analysis, recognize and analyze dysfunctions within the business, employ problem-solving techniques, control physical location of inventory more efficiently, and analyze whether or not RFID is adequate; and being aware of supply management risks and solutions.

So, why should you care about inventory management? Inventory is money and its management plays an important role in an environment where the organization suffers from poor cash flow or has no control over electronic information transfer among departments and suppliers, lead times, and quality of materials received. Obtaining and holding inventory is necessary to manage predictability, fluctuations in demand, unreliability of supply, price protection, buffer or safety quantities, anticipation stock, or transit products. Cloud computing approaches offer an added advantage of lowering IT costs by driving out administrative operations.

Tools available for managing inventory have analytical and optimization techniques, and spreadsheets make it easy to test models and perform what-if analysis. Warehouse managers dealing with large-scale implementations prefer software tools. Independent and specialized management and optimization software are popular even though there are inventory management and supply chain management modules within popular ERP systems. We understand that inventory control is critical for loss prevention and our team has developed inventory management software to help you to efficiently manage stocks. We've designed the software to leverage on the advantages offered by cloud computing. Warehouse personnel can quickly scan the location and/or item bar code, and enter the quantity using a handheld device with an integrated reader. It's easy to set reorder points with minimum and maximum levels for each item. The software will even print barcodes for you if your items do not have them. If your stock is managed manually or with spreadsheets, you'll find our cloud-based software useful in avoiding setbacks due to insufficient products. Schools, colleges and universities, companies, hospitals and restaurants, retail stores and warehouses using vendor managed stock have benefitted by deploying our inventory management software.

References:

M羹ller, M. (2011). Essentials of Inventory Management. U.S.A.: American Management Association.

How To Make A Good Living Online - 6 Useful Tips


Working from home and making a good living online is a dream which many people have, but alas so many are under the illusion that doing so is easy. So many internet Marketers will tell you that if you purchase their course or product then you'll be making money in no time, but it is unlikely that you will see any return quickly. You need to establish a reputation in your niche and that takes time and you need to have a good visibility online. Sure by using forum posting, blog commenting and by using Social networks you can achieve this, but it's not going to happen overnight. It has taken me a long time to get my online earnings up to several hundred dollars a week, (sometimes I'll make a couple of thousand) but a couple of years ago I was lucky if I made $50 a week.

Here's exactly how I turned my online earnings from a pittance to several hundred dollars a week.

Research a niche

This has to be the most important aspect, you need to do your keyword research and find long tail keywords which have low competition but a good amount of searches. You really need to have software to do this as it is a time consuming activity. Also when it comes to purchasing domains, make sure you use your keyword phrase in the URL, as doing this alone can get you a good placement on Google. I have used this technique on the free Blogger platform and over the past year have earned several thousand dollars, frequently making sales within 24 hours of the blog going live.

Develop a product

Many people opt for affiliate marketing, but this area is very competitive and although I have dabbled I have had much more success by developing my own products. I started off by using free open source programming languages like Autoit and Autohotkey and Visual basic. Software sells well, and if you can find a product that fulfills a need you are well on the way to making a good living online. I'd recommend getting Dennis Becker's "5 Bucks a day", this eBook offers a great blueprint which will help you to get organised and start making some money online. It will also help you to establish a good reputation in your niche, using the methods Dennis teaches will help you to develop a multitude of products which will bring in a constant recurring income. If your research and product is good you will do very well. I can honestly say that I have never developed a product that has not made sales, some products have made me thousands others maybe only a couple of hundred dollars, but every product has been profitable.

Get an Autoresponder

Time and time again we are told that "The money is in the list" and that statement is so very true. You need to invest in an autoresponder. I use Aweber and also a PHP based script called PHP Autoresponder both deliver targeted leads which are very responsive to my emails and broadcasts. One site I run is in the Self Improvement Niche,which I never touch and yet the site consistently makes me a couple of hundred dollars a month. In the Internet Marketing niche I can easily make several hundred dollars overnight, just by writing an email, it really is awesome.

Use Social Networking and Signature links on forums

Using Social Networks and taking advantage of signature links in your forum profile can do wonders for your web traffic and sign ups to your list. it's very rare that I'll make a sale directly from a post on Twitter but I will get visitors and subscribers on my blogs.

Start doing Joint Ventures

If you've established a good reputation and have a quality product to offer then partnering with other people in your niche can be very lucrative. I frequently have Internet Marketers approaching me to sell my products and have just invested in the Rapid Action Profits system so that I can offer an instant 50% commission on any of my products. I still have a little bit of work to do here, but with so many people wanting to sell my products, I think 2011 will be a very good year indeed.

Spread the word

Lastly try leaving a link back to your site whenever you are online, inspire interest wherever you go, but make sure you leave worthwhile comments which will be of use to people.

Photography Tips - The 1 Simple Thing You Can Do to Improve Your Photography 100%


Most of us have cameras and record our lives as little moments stopped in time.  Our images are of memorable times we want to hold onto.  They are the most valuable pieces of our self.  Years ago I wondered why my images were nothing like what I saw and felt at the moment I took the picture.   My first experience was with a little 110 Instamatic on my first backpacking trip to Yosemite in 1970.  I had never seen anything like Yosemite--the falls, the cliffs, and strange mountains.  I shot all what little film I took along.  I thought for sure that I had some award-winning shots.  To my disappointment, I received washed-out; blurry semblances of what I felt when I looked out over the mountains.  Nothing like what I saw in the calendars at the gift shop.

There are two sides to photography.

One is a left brain techno thing. It involves f-stops, shutter speeds, depth of field, and a bunch of stuff the other part of your brain wants nothing to do with. Like in my early years I knew there were left brain things I needed to learn to capture those right brain moments in front of me. That second part of photography is how we see the world and the camera gets in the way of this. A good image was more luck than craft. On my days off from work I camped out in photography classes at a local college. I saw great photography and wanted to be able to do it. I went to a Robert Mapplethorpe show in Berkley and felt chills with every image that glowed from the paper. I still love when I see an image that makes me feel that way.

My first tip is easy and involves no thinking.

It is something worth having if you want to become a better photographer.  It is a tripod.  A teacher once told me that the one thing that will improve one's photos 100% without doing anything else, is putting the camera on a tripod.  

It does a few things:


  • First it steadies the camera at all shutter speeds like handholding cannot.  You take the human factor out of the equation. 

  • Second it forces you to look at what's in the viewfinder.  You can see what you want in your photo and what you don't.  You start learning to see.  Composition starts to become second nature. 

Oh yes, you say, I see fine.  Changing a word from some of Paul Simon's, "a man [sees] what he wants to [see] and disregards the rest."  We all live in the same world but all see it differently. Most of us are in auto pilot when it comes to seeing.  We see what we want to see and seldom look.  Our photography reflects our indiscernible, ordinary, look at our world.  A good shot is the luck of the photo gods and camera designers.  For those who don't foresee a tripod in their future, try spending a little more time just looking through the viewfinder before pressing the button.  You will be amazed at what you see.

Thursday, May 16, 2013

How to Get Great Senior Photographs Taken


How To Make Your Senior Photos Special

Making sure you get quality senior photos taken is a fairly important part of your high school career. Your pictures will forever be a window into your high school years. Many students and parents alike like to look back on them with fond memories.

Take the time to make sure your interests and hobbies are highlighted. If you play sports, make sure you get a photo taken in your team uniform. If you have any hobbies, get some shots of those.

Of course you'll want to hire a professional photographer for the task. My brother hired an amateur when his were done and let me tell you, it really showed. My sister and I both had professional studio shots and even an not so good looking person like myself looked good.

One thing you'll want to consider is if the photographs will be taken on location at the photographer's studio or at a remote location. Not all photographers will travel to get just the right show while the best ones often have a huge variety of locations to recommend and can make the most out of the ones you choose.

One way to get a great photographer is to find one who has had picture published in magazines or has done photographs for modeling agencies. Magazine editors have extremely high standards for photographs so you know that if your photographer can pass editor standards, he'll make sure your photos are up to par as well.

A good photographer will make you look like the best you possible even if you're not as confident in your looks. If you're proportions are a little off, they know just what shots to take. If you have blemishes or scars you'd rather not have show up, those can be airbrushed out of the photos.

For girls, it's a good idea to consult with a make-up artist before the shoot. This is another good time to go with a professional and make sure they know you're getting your pictures taken. They'll be able to hide dark circles under your eyes, acne, and can keep everything natural looking. A good make-up artist will be able to do all that without it looking like you're actually wearing makeup.

And don't be shy about telling the photographer if there are certain shots you'd like to have taken. They're your photos after all - make sure you get the shots you want. With digital photography being used by many professionals now, even if you're in a remote location, you'll be able to see the photos right away after they've been taken.

Finally, make sure you get a good night's sleep before the photo shoot. Relax and think happy thoughts. Your photos will turn out much better than if you're stressed out about the whole thing.

Guide to Using HDR Photography for Panoramas and 360 Virtual Tours


What is HDR?

High dynamic range (or HDR) photography is a technique that allows a photographer to take the same image at different exposures and then blend them together to produce one image that features the best exposed parts from each of the images. For a virtual tour this is particularly useful as most Virtual tours rely on a 360 degree perspective so often you will be shooting both away from and into a light source. Usually this would mean that you would have to compromise between the two and potentially have dark patches that are underexposed on one side and light patches that are over exposed on the other. Using HDR you can shoot at 3 or more exposure levels, low, medium and high and then blend them together to create the perfect panorama.

What are the disadvantages?

Although this technique is very useful it does has its disadvantages: First, processing time: Using HDR imagery effectively triples the amount of images you are dealing with, unless you are using top end equipment (i5+ processors) then this is going to greatly increase time spent during post processing. Second; ghosting. HDR images are 3 or more images taken one after the other. If you have movement in your images (for example trees moving in the wind or someone slipping on a humorously placed banana) then when you come to piecing your images together the differences in the images can cause a grey ghosting effect that can ruin your scene. Finally you will have to work with software that supports HDR imagery; most top end software will but it is still a consideration, especially if you are used to one that does not.

So should I use HDR imagery to create my 360 virtual tours or not?

If you are considering using HDR then my advice is that you should first invest in a tripod and Panohead, the ghosting caused by holding your camera by hand will cause you no end of trouble during post processing and can even make your scene unstitchable. If you do invest in these pieces of equipment then with a bit of experimentation and post production patience you can create some beautiful HDR imagery for you virtual tour. If you are looking to sell the 360 virtual tours you produce HDR is now an industry standard and an essential tool to creating professional, vibrant and well lit panoramas.

Exposure Bracketing

To take HDR images technically all you need is a camera where you can manually change the exposure. You can then set the camera in a fixed position on a tripod and take several images at different exposures for use to create one HDR image. However this process is time consuming, especially for a 360 virtual tour where you will need to take several images for each scene to stitch together later. When your virtual tour contains 10+ scenes this can become a massive time sink. If you are serious about virtual tours then I highly recommend investing in a high end DSLR camera that features exposure bracketing. Exposure bracketing is a feature on a camera that allows you to set the exposures at 3 or more levels (usually low middle and high, then once you press the shutter button the camera will take the images in quick succession. This has the added benefit of reducing ghosting due to the greatly shortened time between taking the images saved by not having to manually adjust the exposure level.

Taking HDR Images

To take HDR images for your virtual tour you need to have the camera set to manual exposure and white balance. Once I have my camera and tripod set up I set my exposures by pointing the camera at the most over exposed part of the panorama (the sun if outdoors, otherwise the brightest light source). I then adjust the exposure until the image is just on the dark side of clear (you may want to be careful here if the sun is fully exposed as pointing the lens of your camera directly into the sun can cause sensor damage. Try not to have it pointing directly at the sun and if you do then only for a few seconds). Once I have the base level set to my satisfaction I adjust exposure bracketing to at least +2 and -2 (some cameras are unable to stretch this far and you might have to take 2 bracketed images). Now your camera should be set and ready to take exposure bracketed images for HDR. You can test it by taking a sample picture, if the camera takes 3 images for each press of the shutter button then exposure bracketing is set and you are ready. Now just take the images you would normally take for a panorama and depending on how many you usually take (I vary between 6 and 12) you should now have a set of three pictures for each one, one light, one normal and one dark. For extra stability set your camera to a 2 second time delay, this will combat ghosting or blurring due to tripod shake.

HDR and post processing

Now you have your HDR panoramic images for your virtual tour you are ready to stitch them together. This can be done in a number of ways; you can use your raw images to create HDR images before stitching, you can stitch your images together using software that accommodates HDR and allow it to fuse your HDR images for you, or you can create separate panoramas at each exposure level and fuse them together afterwards. Each of these ways has merits and I highly recommend experimenting with each to find which one suits you best. Whichever way you choose there is software out there to make your life a lot easier. Technically you can use high end stitching software such as PTGui or Panoweaver to stitch the images, adjust the exposure and output an HDR image ready for a virtual tour however I have found that the HDR fusing mechanisms within stitching software to be not as good as dedicated HDR software. My personal HDR magic formula is to use PTGui to stitch the images together then output three separate panoramas at different exposures. I then use dedicated HDR software to fuse them together into one fully HDR beautifully exposed panorama ready for use in my Virtual Tour. There is a lot of software on the market but for sheer professionalism of results I have to recommend Photomatix Pro, a steal for 瞿60. Good luck and happy shooting.

Skipping Class: Actors That Made It Without Formal Schooling


Education is a sure way of improving the chances of having a bright future. School is a huge part of most children's lives, and hopefully, their school environment is positive and encouraging. Unfortunately, the level of education is not the same in all parts of the world. Politicians and humanitarians work hard to try to ensure the proper education of all, but sadly, there is no guarantee. It is never suggested that a child drop out of school, but there are some stories of success in Hollywood. Some of these actors have made the most of their lives without even a high school diploma. It is possible to have a successful career without dropping out, but these actors had a passion so strong attending class everyday just didn't suffice.

John Christopher Depp was born on June 9th 1963 in Kentucky. Depp had a strong interest in music and started a garage band called "The Kids". At only 15 years old Depp dropped out of high school to pursue music full-time. His dream of becoming a rock musician overshadowed his interest in his studied. After visiting Los Angeles, California, and meeting actor Nicholas Cage, he decided to start acting. Depp's film debut in the 1984 film "A Nightmare on Elm Street" was an amazing start, and since then he has been a principal character in over 50 film productions. For Depp, music may not have been his true calling, but luckily for us, he became an actor.

Quentin Jerome Tarantino was born on March 27th 1963 in Tennessee. Tarantino's father, Tony Tarantino, was an actor and musician that strongly influenced his son. While attending his first year of high school, Tarantino made a life changing decision to become an actor. He dropped out at 15 years old to attend James Best Theater Company. There, Tarantino was able to learn the art of film production, and became a director of film. His first film "Reservoir Dogs" was an immediate hit at the Sundance Film Festival, and since then he has directed and produced six blockbuster films. Although he never completed his formal education, Tarantino's IQ has been documented at a 160, which is about the level of the average college graduate.

Nicole Mary Kidman was born on June 20th, 1967 in Hawaii. Kidman was brought up by two very well-educated parents. Her father is a doctor, biochemist and psychologist, her mother is a nurse, instructor and medical text editor. At three years old, Kidman began studying ballet, and went on to study at the Australian Theatre for Young People. She was also a regular at the Philip Street Theatre, and there she was encouraged to study acting full-time and dropped out of school at 16 years old.

John Joseph Travolta was born on February 18th, 1954 in New Jersey. Travolta began attending Dwight Morrow High School, but dropped out at 16 to move to New York City. He believed living in NYC would help him get his career started, and he was right. There he landed a role in a musical touring company performing Grease, since then he has appeared as a principal role in over 60 films.

Carp, Ontario - Rich Military History, Agriculture and Drive-In Bingo


Unofficially boasting the second highest UFO sightings behind Roswell. Home to Canada's largest nuclear bunker! On again, off again, Carp is once again host to the annual Ottawa Air Show! Annual destination for the Experimental Aircraft Association (EAA) Fly-In/Drive-In Breakfast. A location for a Tom Clancy movie shoot staring Ben Affleck and Morgan Freeman.

Intrigued? Well you should be! The Historic Village of Carp has nothing to do with the fish by the same name. The seemingly sleepy rural community sits on the northwestern fringe of the city of Ottawa - just a bit 'up the valley' as they say in the (Ottawa) Valley. This small village, although predominantly a farming community, has some of Canada's defined history running through its veins.

The [debatable] secret building of the four-storey nuclear fallout Diefenbunker, was a massive Federal Government construction project completed in 1961. Now part of Canadian Cold War history, a tour through this concert and steel underground fortress will stimulate your senses with the intrigue of espionage, spies and covert operations. Come prepared to walk up and down stairs.

Carp, in the 1960s and 70s, was noted for the unusual number of UFO sightings. This is not surprising, since the this military bunker was a military commissioned, secure defense communications installation. Department of National Defense (DND) personnel would cycle through a tour-of-duty for up to three months inside this bunker facility.

For about 40 glorious seconds in the Tom Clancy suspense movie "The Sum of all Fears", the Diefenbunker was Mt. Weather, Virginia, USA. The inclined tunnel leading to the huge steel-vault-like doors and locations inside the complex were used as a backdrop for the movie, scripted around a nuclear attack on America.

Nice being picked by Hollywood, but the real enticement to visit this rural Ottawa Village is its local character. Rooted in agriculture, adds that 'country fair' feel when in June, the Carp Airport hosts the Ottawa Air Show and again in August, the Experimental Aircraft Association (EAA Chapter 245 ) fly-in breakfast. Both of these Aviation spectacles boast aerial displays, vintage and modern airplanes and always a taste of aerial hot-doggin'. Although hosted on a smaller scale, rivals the big heart and excitement of the Abbotsford BC International Air Show.

It's all morning fly-in action surrounding the Annual EAA Chapter 245 fly-in breakfast. Sometimes landing back-to-back the pilots, in their kit-built aircraft, circle, land and taxi to designated parking spots. Over 50 to 60 planes are flown in during this much anticipated event. Pilots eat a hearty breakfast, fuss over their aircraft, catch up on news from other pilots, and some then take off into the wild blue yonder. Others, like August Lehmann, veteran pilot of 49 years, flew in from Dawson Creek, British Columbia, to attend the annual EAA Fly-In/Drive-In Breakfast. Mr. Lehmann, who flew his custom made 2005 Cessna 230 H.P. Cyclone at an average speed of 130 mph, took the opportunity to visit with friends and relatives along his flight path to Carp, Ontario.

One plane that draws a lot of up-close attention is the prop-version replica kit of the Canadian Snowbird Team CT-114 Tutor jet, right down to the paint. One bi-plane had vintage enthusiasts crowding around for a closer look. Wow! Beautifully lacquered wood throughout the cockpit and on the wings. Lots of photo opportunities everywhere you turned. It was hard for shutterbugs to keep up.

It may start with the Carp Airport, but its charm doesn't stop there. It has a few more unique long-standing attractions:

1) Home to Canada's longest running drive-in Bingo as highlighted on the CBC Show 'On The Road Again' with Wayne Ronstad. Started in 1954 and still going strong!

2) Over 142 years of the Carp Fair, held during the last weekend in September!

3) Incredible sunsets and easy access to some of the best Snowmobiling and ATV trails in Canada!

Enough said! C'mon over! Chat with the locals. Bring your family and friends for a visit to one of Ottawa Valley's gems.

Check out additional images of Carp at Flickr.com (search on 'Carp Charm').

The Pros and Cons of Online Photography


At this day and age, a photograph of any digital format is just a click away from being accessible to the entire world. Whether this is good or bad is something relative to each person. It can be both, perhaps. There are perks and, equally, there also are problems - all of these are ever present in the rapidly growing world of online photography.

Before getting deeper into this matter, it's best to know what it is. If you take pictures, scan or upload them to the computer and post them in the web for sharing or for business, or if you post articles for fellow photographers, both professional and amateur, it is pretty safe to say that you are part of the online world of photography.

Photo sharing is the most common and crowd-friendly form. For it to work, all it takes is some uploading, commenting, and proper web ethics in sharing. This includes, among other things, the basics of proper citations and correct descriptions. A number of photo sharing websites are very much heard of. Photobucket, Picasa, Flickr are just a few among the many photo sharing sites in the web that are favored by professional photographers and beginners alike. Some websites even allow selling, auctions and other business-related activities. These sites allow photographers to showcase their portfolios and invite bidders or clients to choose among the wide array of artistic, nature, abstract, urban or any other form of photography. Since the worldwide web is the most accessible venue to search for the perfect photography company or independent photographer, everyone interested could seize the opportunity. This is definitely a whole lot easier and cheaper than conducting a time-bound and expensive photography exhibit or convention.          

Online photo sharing is obviously a method used by many to open possibilities and welcome opportunities the most convenient way. However, photo sharing also allows for identity and intellectual property theft. No matter how terms and contracts are implemented online, there is never a 100% assurance that everything posted in the net is kept safe and private. A very pressing issue concerning most internet matters is fraud, and since online photography can at times involve business matters, business has to be done with utmost caution or else agreements are all bound to get risky. Never give personal information online until you are to be personally contacted by a reliable and trustworthy party. No matter how inviting opportunities in the web are, these things never come and go perfectly. Beware of scams and pranks.          

The safest form which is seldom considered as photography in the web is information dissemination. Articles, blogs and tutorials are just few of the countless photography-related information-spreading methods. It is best to familiarize yourself with all sorts of information that is internet-related before getting into the actual business of Internet photography. With sufficient information, doing photography online will be breezier than you expect.

Cameras Were Invented in the 10th Century and, Believe it Or Not, You Have Seen the Pictures


Believe it or not, the camera is almost 1,000 years old. Problem is, film was not invented until 1884. But that didn't stop people from making pictures.

The Camera Obscura

Naturally, those first "cameras" were not the cameras of today, with their motor-driven film advance, multiple lenses and auto-focus ease. In fact, most of us would be hard pressed to guess that the were cameras at all.

The camera obscura was a basically large dark box with a hole in one side for light to shine into. The light shining through this hole would project an upside down image of the world on the other side of the box. You made have done something similar in grade school to "view" a solar eclipse without injuring your eyes.

Most of the boxes were big enough that the artist could actually sit completely inside them -- though their were some "portable" models to choose from. Then the artist could simply trace the picture onto canvas or paper.

An Arab Invention

Abu Ali Al-hasen Ibn Alhasen, an Islamic mathematician is usually credited with the invention of this drawing box but the idea behind it was mentioned by earlier scholars, including Aristotle.

A Vast Collection of Pictures

Many, many artists from the 10th century right up to today have used this technique. Today artists typically use a device that projects a photograph onto the painting surface with lights and lens -- but the general idea is exactly the same. So -- if you have seen any paintings at all from the 10th century onward, chances are very good that you have seen at least one - probably many - of these "photos." Believe it or not.

Wednesday, May 15, 2013

How to Edit Photos - Easy Ways to Enhance Your Photos


Some people are just pro's at taking great pictures. But most people just take average pictures. If you are one of them, you can edit photos in very easy ways and improve them dramatically.

Sure, you can have a good or great digital camera, adjust the settings as you are supposed to, and even produce a good picture. But sometimes it just doesn't look quite as good as it could.

And even if it does look pretty good...pretty darn good...I would venture to say that with some simple photo editing, your picture can be great.

Here are the main types ways to edit photos which can greatly improve your images:
1. Saturation
2. Lightness and Darkness
3. Sharpening

Do you have to do all of them? Maybe. And maybe not. You can try each one to see if it enhances your image or not.

Saturation
This adjustment will make colors more vivid. How about making the sky in your landscape just a bit bluer and the grass a bit greener?

Most photo editing programs will adjust, or saturate, all elements in the photo. However, some of the more sophisticated ones will let you select areas to manipulate while leaving the rest of the picture alone. It all depends on which software you are using.

Be careful not to over do it, as your goal is to enhance it while still keeping it real looking. Saturate just a little bit at a time, and increase it if you feel it could use some more. You can always reverse your editing.

Brightness and Contrast
Sometimes a picture might come out too dark. By using this adjustment, you can lighten it up and make it brighter. Likewise, there are some images that need to darkened, or toned down. These manipulations can make a big difference in the quality of the photo. By adjusting the contrast, you can make a photo softer or more vivid.

Sharpening
This is something I try to be careful with. If you over sharpen, things can start to look jagged. In addition, sometimes a softer look can be very nice. You can sharpen slightly to see if this improves the image or not.

When editing, I like to use software that let you see the before and after images side by side. This helps in judging whether the picture is improved with each subsequent edit.

There are many free photo editing software programs that will work and be simple to use. If you want to really get involved in photo editing, you might also try one of the more sophisticated programs. They offer many more types of photo manipulations.

Some have a steep learning curve if you want to learn the more intricate manipulations. However, most of them let you start out in a simple way. If you find one that you feel you might like, see if they have a trial period so that you can try it out. Once again, many photo editing programs are free.

If you want to consider additional types of photo editing, here are a few you will find in most programs:
* Cropping
* Red-eye Removal
* Resizing
* Sepia
* Highlights and Shadows - more sophisticated software
* Exposure - more sophisticated software

The Cycle Of Life - Letter To A Mentor


1. We receive:

We came into this world with nothing. We didn't even ask to be born, yet we were granted the wonderful gift of life. And without asking for anything else, we continue to receive. We receive encouragement and comfort and kisses and hugs and nourishment and attention and validation. But we also receive pain and discomfort and disappointment and envy and jealousy and abuse and humiliation and embarrassment.

Things come at us and to us from so many different sources that it is sometimes hard at first to distinguish which ones are welcomed and which ones are not. But the fact remains, we start out in life at the receiving end.

It's funny how becoming so engulfed in our consumer's society, blinds us to the fact that to live life always from the receiving end, would keep us continually in a powerless and vulnerable, even primitive position.

My relationship with you Oprah began where everything else does, at the receiving end. It was in the late eighties, I was still a teenager and you had a new TV show that would soon make History. I couldn't exactly place my finger on what I was receiving, but I kept coming back for more. And through the years I received so many gifts from you that now I wish I had written them all down the moment I was receiving them.

Those gifts came mainly in the form of insights, wisdom bits and different views of life. Some of them came directly from you, others came from various guests of yours but were highlighted and customized by you.

Here are a few from the top of my head:

o "People think you must have, in order to do, in order to be, when it's the other way around. You need to be, in order to do, in order to have." This came from motivational speaker Iyanla Vazant.

o "Hope is not a plan" -quoting from Anderson Cooper's new book

o "Now that you've heard it, you can no longer pretend that you didn't know." -Oprah's original

o "You only accomplish what you believe. Not what you want, not even what you work for but only what you believe." -Oprah's original (my personal favorite)

I've cherished these gifts for years. Of course not only have you shared sayings but inspiration as well. I have found self-improvement stories and those of people going from rags to riches, most inspirational while building my own foundation for success. Shows in the likes of:

o A millionaire a minute (1998) (my all-time-favorite)

o My passion, my fortune (1999)

o How to empower little girls to succeed (one of my all-time favorites)

o Quirky ways people have become rich (2005)

o Ways women just like you have made their wildest dreams come through (2005) Just to mention a few

You have been such an inspiration with your voice and with your life, the way you keep giving of yourself, the way you don't cease to amaze us. For all that I have received from you and continue to receive, thank you.

2. We assimilate:

Once we've been here on earth for a while, we start to associate concepts and reach to conclusions. We take all that we've received and put it together in our own way. Whether our experiences have been wonderful, good, so-so, not so good or down-right terrible, we assimilate it all and interpret it however we choose to. At the end of the day, it will all contribute to our successes or failures. But it will not be because of what we received, but rather because of the way we chose to assimilate it.

The earliest a-ha moment that I can recall was a few years before the first Oprah Winfrey Show, so I didn't call it an a-ha moment back then. It took place during the early eighties when I was still a girl living in my native country -Panama. My parents are strong believers of Education being the great equalizer. They would constantly seek ways to motivate us and get us excited about school. From very early on I received the not-so-subtle message from my parents that going to College really wasn't a decision for me to make, it was a must. I only had the privilege of deciding which one I'd rather attend.

It was a tradition of ours that almost every Saturday or Sunday night we'd ride around in the city to see elegant neighborhoods with beautiful houses where rich people lived. And our parents would say things such as: "that is why you must study, so that you can get a good job and be able to afford this lifestyle." I tried to assimilate this information the best way I could but somehow there was always something missing. I mean, my parents had what a lot of people considered "good jobs", they both worked at what used to be known as The Panama Canal Zone, with the Southern Command. And although we were not considered poor, we weren't living in those elegant neighborhoods in one of the beautiful houses either.

A Sunday night as we were coming back from our ride a bit earlier than usual, my dad said to us: "look behind you" so all for of us -my two sisters, my brother and I- looked back. "you see those elegant cars going towards the city?" I could see beautiful Mercedes, Jaguars, BMWs and such, all brand new and polished, almost racing towards the city lights while we were going in the opposite direction. My dad continued: "They are just going out now, their night of fun is just starting. While we need to get home to go to bed for your mother and I to get up early for work tomorrow. But they don't have to get up early or even go to work tomorrow any at all" -why- I asked curious. "because they are the owners and bosses, the ones who provide the jobs for others to go to." This has been by far my biggest a-ha moment ever. It helped me assimilate important information in a very convenient metaphor. For starters, I didn't want to have a job; I wanted to provide them for others. I looked back at the elegant cars going towards the city lights for the last time. And for the first time, I knew exactly in what direction I wanted to go.

3. We innovate:

Once we have assimilated the things we've been receiving, they suffer slight or drastic changes before we pass them on. We never leave the space we've used the same way we found it regardless of what we do. Hopefully our goal is to change that space for the better. We have the power to turn our experiences into something uniquely beautiful to be spread amongst others, leaving behind a sweet and fresh aroma as we go through life. Or we could turn our life experience into something selfish that will leave behind an ugly and putrid stench of stagnant water.

However we want to do it, the lives we have lived will result into a new and unique product; something only one particular individual could have produced. Something will be different just because you were born. But then something else will be different because of the innovation that resulted from the assimilated information you received. The world is different because of you; it will be different because of me. We were all born to make a difference.

As a child I've always had a very vivid imagination. I loved to imagine that the floors in my house were streets and avenues. That shoes were cars, chandeliers and lamps were restaurants and convention centers. Even flushing the toilet meant that somebody was on a trip to a different country called Charla Puor. From those early days, however, I've moved on to imagine better shoes, better jewelry, better toys, better house appliances, different architectural structures, different banking methods, better educational systems, different movie story lines, different marketing approaches, different retail stores, better traveling luggage and I could go on and on.

For years I've found pleasure in creativity and innovation. I can see just about anything and imagine an improvement for it. Through the years, the ideas became more structured. Not only would I imagine new stuff, I'd also try to find out what kind of technology or combination of technologies were available to bring the new idea to life, as well as the right way to market it. There is nothing that gives me greater satisfaction than to put a new idea together. The only thing in my mind that could offer a greater experience would be to actually bring one of these ideas to life. But I've come up with probably a couple hundred ideas only to see them one by one being carried out by someone else. Surprising as it may seem, this has not discourage me, but quite the contrary. To me it's a sign that I am on the right track. Through years of frustrating unrewarding jobs as well as nice-not-so-frustrating-but still unrewarding jobs, I finally believe my childhood circumstances and young adult experiences have lead me to find a way to channel my innovation and change my used space for the better.

4. We give:

All that we receive, and assimilate and innovate prepares us to be able to give of ourselves. It is not only selfish but absurd to think that we came to this world only to have a good time and erect huge monuments to our greatness. After all, what makes us great is our ability to help others become great. But who knows and lives by this principle better than you Oprah?

I have been blessed to have wonderful parents that motivated me and gave me their blessing at an early age. First my mom looked at me in the eye and told me that I would do something great someday. Second: when I was 3 or four years old, I had a strange dream. I was playing with some other little friends in my grandmother's backyard. My friends went on running but I stopped to notice a pale pinkish liquid with sods running through a PVC tube that was in one of the walls of the building. I stood there staring in amazement. When I told my dad about the dream the following day, he got all excited; he grabbed me and hugged me and then he said: "this is great Jull, that was champagne; it means success."

To both my mom's pronouncing of greatness and to my dad's success anointing with champagne, I didn't really know how to react or what exactly they meant at the time. But through the years I have held myself accountable and have always wanted to live up to those expectations. My parents keep repeating that they are already proud of me and that I'm already great. This is good to hear, but it's really just fuel to do even more.

After countless trials and errors and trying to figure out what and how to do in order to give back to life, the world and the people who live in it, I decided to put all my great and even crazy-sounding-ideas in a book for young women to go ahead and bring them to life. The book contains over 120 ideas in 15 different categories. I believe this would give me even more satisfaction than pursuing each one of them myself. To walk down a certain town and see a building that I helped inspire, read a book with a central topic that I threw out there, step into a mall and see a store that I suggested. All of this is really cool, but greater than this would be to know that someone's life was changed for the better because she found an outrageous idea and thought to herself: "hey I could do that". The thought that I had something to do with that brain-wave, like a pebble in a pond that creates a ripple which goes on to make a great wave in the sea, gives me goose bumps.

That is life worth living. And there's no doubt in my mind that you helped inspire that bigger dream Oprah. Perhaps my plan began selfish and childish almost 16 years ago, when I structured my first idea in a commercial format. But as you always say: "God can dream a better dream for you than you could dream for yourself "

To materialize one idea after another would be great and could have perhaps lead me to live the Fabulous life I've always wanted, but most likely it wouldn't have given me the "what-a-feeling" effect I was really looking for, or at leas not a lasting one. The book was first written with the intention of inspiring students in Colleges and Universities to become more creative, but I realized most of the ideas would appeal more to women. I've just finished reading The BAP handbook. The official Guide to the Black American Princess. It's a fun reading book. And as much as I enjoyed it and the sitcom Girlfriends that was most likely inspired by it, I cannot help but think: what if we could inspire young girls not only to be little princesses expecting to be pampered, and look cute, but to actually create some of the things and products they enjoy so much? What if we could inspire them to create more make up, shoes, design better Jaguars, write more books, produce more movies, design new software or a new building? I can hardly wait to see who is going to create The Shoe Factory or produce the series Bad Attitude (some ideas suggested in the book).

It saddens me to listen to little girls and watch them trying to imitate celebrities that believe all their value is locked into their looks and bodies. Why not inspire them to use their brains? And not only to become a doctor, lawyer or scientist, which would be great, but also to create, create, create! Maybe I am being bias because it's just my thing, but I'd love to see more women creators and innovators. And between you and me, it would make me even happier to see a lot more women of color become creators (again being bias).

We have the ability to do great things. And we can call on a great power that is more than willing to assist us once we are ready to walk in our destiny. I know that everything happens for a reason and nothing takes place a minute before it should. Now I am sure that if God had given me what I asked for when I asked for it, He would have been unable to give me what I really wanted.

I didn't know of a book that was especially dedicated to boost young women's creativity, but I had written a book, and all I needed to do was redesign the cover that it could appear more feminine, the rest was already done. I hope you are proud of me.

So there you have it, I have received and assimilated and innovated and now I am ready to give back. I am ready to get out of the vulnerable position and place myself in the empowering seat. Oprah thank you for letting God use you, thank you for giving of yourself, thanks for making us see you vulnerable because that way we knew that we too could do great things once we overcame. Thanks for all that you have given and continue to give. I am forever grateful. Thank you.

Photography Startup Businesses - Who You Partner With is Important


So you are looking to start a photography business - great! As you may have already found out, there are a lot of aspects to consider when you decide to take this venture. A photography business not only requires the essentials: skill in photography, equipment and startup capital, but also a few other things you may have not had a chance to think of yet.

First off, you will want to establish your name throughout many sources. This is what is known as marketing and advertising. Depending on the type of business you are looking to target, there are local marketing efforts and there are national marketing efforts. Even though you may target local business, there are also things you can offer online nationally as well; this is a diverse way of conducting businesses and taking control of all your options.

Throughout your journey, who you partner with is important. You may have the technical skills when it comes to using a camera, however, you may not have the business skills developed to make calculated business moves. This is why it is important to research best business practices, time management and other key components that will use your time effectively and produce an income you can live off of.

One of the first partners you will want to make is with a graphic designer. The reason teaming up with a graphic designer is important is because they have the ability to turn your photos into additional pieces of art; for example, a flush mount photo album. Even if you have the graphical design skill necessary to assemble these works of art, do you have the skill to hand make a photo album cover or even print these photos on quality album boards for the flush mount album? The likely answer would be no. Even if, let's say, you did have this equipment and skill, there might be times when you just have too much to get accomplished and would then need to outsource it to another company for assistance.

Teaming up with someone who can help you offer a complete package to your customers is something your clients will expect. Due to the overwhelming need for digital design and quick turnaround times, clients will often overlook a company or photographer that does not offer a complete package- don't let that be you!

In all, be prepared with contacts and people you can rely on to partner with. As time progresses, you will be glad you did. Take the time, before you need someone, to look for a company to team up with you on your photography business. Looking for someone last minute will not only cost more but also create rushed decisions that you might later regret.

Marketing Strategies For Photographers - How To Fill Your Diary With Clients!


If you have your own professional photography business, you will no doubt be all too aware as to just how hard it can be to find new clients and keep your diary fully booked. For many professional photographers marketing your business is a long and expensive process. But it really does not have to be as hard as you think. What you need are better strategies!

Marketing, contrary to popular belief is about a lot more than just advertising. It covers every aspect of your business that touches or impacts your clients. Marketing dictates how your client hears about you, the perception they form of your business and ultimately how much they spend with you.

Marketing therefore covers how you talk to them on the phone when they make an enquiry, your advertising materials, your pricing and your the service your provide your clients with, to name but a few.

To be successful you have to be good at finding new leads, turning them in to clients and then make them so happy that they use your again and tell all of their friends about you. Marketing is about getting as many clients as possible, getting them to spend as much as possible and about keeping them.

So don't make the mistake of thinking marketing is just advertising, it is a lot more than that. Treat your clients well and stay in touch with them. Find new ways to please them and find new packages to offer them.

When it comes to advertising and finding new leads, many photographers rely on wedding fairs or expensive yellow pages adverts, or more and more photographers are turning to the internet as an alternative. Wedding fairs can be long days with little returns, though there are things you can do to increase the return on your time and cash investment significantly with a little imagination.

Most photography adverts look alike in the yellow pages, so if you are going to advertise there, you want to make sure your advert stands out from the crowd. As for the internet, the web is a big place! So many photographers spend a fortune on beautiful web sites, but unfortunately no one sees them as they fail to rank in the main search engines!

Life really does not have to be this hard. What you have to do is think differently. Stop searching for leads and instead find ways that will attract them to you instead, then life becomes easy.

Zenaida Lorenzo: An Unlikely Successful Woman


Zenaida Lorenzo

An interesting name, derived from Zenobia, Queen of the wealthy city of Palmyra in the Arabian Desert, and in Latin, a feminine form of "Zeus." Indeed a powerful name, but quite appropriate for an incredibly self-driven woman, rather adequately described by the words "motivation" and "prosperity." Zenaida was the #1 earner in her home business in 2005, though she didn't start off with a silver spoon, didn't have the best education, and generally had a rough time just living as she grew up.

Zenaida began life in an ethnic neighborhood, primarily Puerto Rican like Zenaida herself, in Dover, New Jersey. The family was so poor that there were a few times when she went hungry and had to wear the same clothes to school more than once. It didn't seem to matter then, as many of the families in her school had similar problems. Poverty was a way of life.

"Welfare was much better then," Zenaida remembers. But she can still recall coming home to a bare cupboard at times. School trips were out, because there was no money for them. There just wasn't money for anything, and many times, not enough for food.

But when she was about seven years old, she moved with her single mother and four siblings (another child would be added later) to another neighborhood, which bordered the Anglo part of town. The most difficult part of that was that she would have to attend an all-Anglo school, a place where it would be extremely difficult for her to fit in. She went from a school where the student body was 70-80% minority to a school where 95% of the kids were Caucasian. In the early 1970s, this was about as different as night and day.

The school administrators had no experience with Hispanic children, for one thing, and to make matters worse, Zenaida was severely dyslexic, though nobody seemed to realize it. Her teachers told her mother, "There's something wrong with Zenaida," implying that the child was mentally challenged. The fact that her mother didn't speak English and that there was no father in the house only compounded the issue.

Zenaida failed her first year in the new school, which was 2nd grade. She went on to repeat the pattern in third, fourth, and fifth grades, as well, without anyone understanding what Zenaida's problem really was. The girl was not only alienated from her classmates because of race, but because she just had no way of getting help with her problems. Her mother just kept pushing her ahead because her mother just didn't want her to fail. Zenaida's mother was uneducated, and didn't understand the consequences of her decision.

Yet, dyslexia wasn't Zenaida's only issue. She was also ADHD--she had attention deficit hyperactivity disorder, a condition that wasn't even recognized during the time Zenaida was growing up. ADHD sends thoughts through the brain at rapid speed, likened often to a ping-pong ball game going on inside the person's head. What ADHD meant for Zenaida was that she was easily distracted and easily bored. The hyperactivity only added to those issues, making it very difficult for her to remain still for any length of time.

At age 13, Zenaida was not just going to school; she was working and paying her mother rent. By the time she got to high school, she was working two jobs to help support the family.

But in high school, Zenaida began to flourish. Her artistic abilities came to light and she began to design her own clothing. She even won 2nd place in the school arts competition. Then, in her senior year, Zenaida wanted to work in the area where she had found her only success--fashion design, and she tried to get into college. Yet, her grades weren't good enough to go to the schools of her choosing. She was functionally illiterate.

About that time, Zenaida left home for New York City, and she found a video tape of a very old book, one that inspired millions and continues to do so today--Napoleon Hill's "Think and Grow Rich." Zenaida poured over the book, working very hard to comprehend its forceful tenets of focus and persistence in the face of resistance. And at 21, she went back to college.

Her first step was to run down to the local Barnes & Noble and pick up a 5th grade reader because she was intent upon getting a college degree. She started to realize how the words jumped around on the page before her, and it wasn't until she shared her trouble with her friends that she learned that all along, her problem had been dyslexia. Zenaida persisted in her learning, until she taught herself to read.

At 25, she got a job working for a bankcard system in sales, and was the top earner two months in a row. Her self-esteem rose. In fact, it rose enough to secure a job with a newspaper. She lied on her application, and said that she had a degree in liberal arts from the University of Puerto Rico, where she had moved and lived for a short while.

And her boyfriend continued to help her. Unbeknownst to her employer, her boyfriend at the time, was writing all her sales correspondence, then her boss started doing it for her, too. By the time he had figured everything out, Zenaida was important in the company, and was making a great deal of money for them.

But that wasn't the end of Zenaida's career. She decided that she wanted to work for the world-renowned publisher Conde Nast, and asked her boyfriend to help her get a job with the company. Yet, he told her, "I can't keep writing to your clients." In fact, he told her she couldn't get another job, until she learned to read and write.

So, she set to work. She was determined to learn to read, no matter what. First she bought two books about getting higher scores on the SAT--Princeton Review Word Smart, Volumes 1 and 2. Her friend and her boss taught her how to speak properly without the ghetto slang, and after work every night, Zenaida would take an index card and choose a word from each of the two Princeton books, beginning with the letter "A." On the front of the card, she would spell the word, write its phonetic pronunciation, and on the back, its meaning.

Zenaida played games with the cards. She read an article from the New York Times each day, which took her about forty minutes. If she didn't know a word that was included in the article, she would look it up in the dictionary and then, add an index card for it.

She got to the letter "P" before stopping her routine.

She was finally functionally literate by the time she was 29.

Zenaida bolstered her knowledge of history by going to the Museum of Modern Art every weekend. She bought audio-taped biographies of the artists, which as with all good biographies, drew in the history of that person's time, the culture, the politics, and so on. She hung on every word.

And she prospered. Her achievements led her to making a commercial for then Mayor of New York City, Rudy Giuliani for the local disabilities center. She also received a proclamation from Mayor Newman of Dover, New Jersey for teaching herself to read and for speaking to local high school students about dyslexia, using the theme "Anything is Possible."

Zenaida also came to excel in business. She was making 6 figures a year, and at 34, decided to go back to college and to continue until she reached an MBA. When her company was sold in 2003, Zenaida was forced to take a 30% pay cut because there were no other jobs. Soon, she wasn't meeting her obligations, and decided that there had to be a better way. She started a home business. In 2005, after less than one year with her home business company, Zenaida was their top earner, making close to $1 million in sales.

Though Zenaida is an incredible inspiration, and someone worthy of the people that follow her, she says, "When I was in my twenties, I was very angry. I would look at successful people and I always thought that if I could only read and if I only had an education, I could have the opportunity to be as successful as they are. Today I realize that the reason I am so successful is because of all the disadvantages and disabilities I had to overcome. They made me strong, persistent, and gave me the courage to look to alternative businesses. There are so many people who today, have every advantage, but they still work for others and earn a fraction of what is truly available. Today, I have total time and financial freedom. My goal is to empower others to see what is available to them, and to help them overcome their self-imposed limits."

If you were to follow one person toward success in business or in life, Zenaida is certainly a woman to follow. She has helped many people to succeed at the same level she has succeeded herself. Today, she's eager to help more people live the life of financial freedom and to make herself the best person she can be.

How to Build your Photography Portfolio


As a photographer there is no greater joy than being recognized for what you love doing. A large part of that recognition will come through the self promotional tactics you employ. One way to ensure you get recognition for what you do is to create a photography portfolio which is second to none.

Step 1) Choosing your theme
You may already have the pictures to create a themed portfolio or you may be planning on capturing them over the next little while. Either way, your portfolio, like a well written book, should have some unifying theme. This theme can be conceptual or it can be technical. For example, your theme could be about courage, love, urban life, rural life, garbage. Alternatively you can create a theme based on photographic technicalities. For example you could create a portfolio showcasing all of your best wide angle work, or one which displays your best black and white work. The themes for creating a portfolio are only limited by your own imagination. So take your time and create a themed portfolio which means something to you.

Step 2) Choosing the photos
Choosing the right photographs to put in your portfolio will be a time consuming process. By the nature of the portfolio itself, only your best pieces should be placed within the portfolio. If you don't' have too many top picks spend some more time photographing until you get the desired results. Your portfolio is something you should be proud of, not something thrown together out of impatience and haste.

Your portfolio should be manageable for the viewer to get through. Too often photographers fill pages and pages with photographs that the viewer will skim through to get to the end. Most audiences have short attention spans. Don't take it personally, it's simply how we've been conditioned to see the world. If you're photography portfolio is shorter, your audience will be more likely to slow down and spend more time looking at each photograph.

For those of you who have been to art galleries showcasing a particular artist work, you'll remember, that their showcase was relatively easy to get through. This is because they don't' want to clutter the walls and they want to keep your attention the whole time. You must do the same as a photographer. Just because they make photo albums that can hold 500 pictures doesn't mean you should try to fill it up. Narrow your portfolio down to 20-50 photographs. There is no hard set number you need to follow but this seems to be the range that most audiences would prefer.

Step 3) Showing your work
Now that you've put together your portfolio, it's time to show it off. Keep it in a public space in your house, show your friends and family, but a digital copy online and show it around to galleries and exhibits if you're looking to sell some of the photographs in your set.

Completing your portfolio is a great feeling. It's a great internal battle choosing the perfect pictures for your portfolio because it represents you and what you stand for as a photographer. Take your time putting it together, but make sure your complete your project. Too many photographers shoot all day long and fail to present their work properly. Don't let your photographs sit around in boxes in the closest. Take the best ones out and show them off!

Tuesday, May 14, 2013

Learn Film Making - Set Etiquette For Event Videographers


Having taught film making at several colleges, schools as well as film and television schools for many years I always include a section on set etiquette. In the motion picture industry, in most areas of North America, a set etiquette course is mandatory before you can enter the trade. Proper set etiquette is the only way that a large group of diverse technicians and artists can work in concert to create a thing as complicated as a feature film.

The main tenets of set etiquette are:

1. Workers on a set always show up on time (or even a bit early) and ready to work.

2. Each person does only his or her work. If you aren't busy and wish to help someone in another department do their work ask them first if you can help. Don?翹t just pitch in. It might seem that you?翹re doing them a favor, but it could go against their work ethic (or the unions).

3. No one, except possibly the D.O.P. and maybe the first A.D., will bother the director with their ideas of how a scene should be staged or how the set should be run. If you feel you have a valid suggestion or complaint take it first to your immediate supervisor or (if you're sure this is appropriate) an assistant director.

4. When the "Quiet!" command is given you immediately fall silent and still (even if you're half way through the punch line to a killer joke).

5. For safety reasons you must be more careful of wires, cables, grip stands and other dangers that lurk in the shadows behind the camera than you would have to be in many other jobs. Because of the constant changes made on a set cables aren't usually dressed safely out of the way and a grip stand set up in a certain configuration can take an eye out if you walk into it.

6. Always try to use standard industry terminology to communicate with other workers on the set.

7. If you have anything bad to say about anyone - DON'T.

8. No bad language or offensive jokes on the set.

9. If in doubt as to what you should do - ask.

10. Do your job willingly and to the best of your ability.

For the videographer - depending on what type of shoot you're on, you might want to adopt points 1, 4, 5, 6, 7, 8 and 10 particularly.

The event videographer (weddings, conventions, seminars, live performances, etc.) might also wish to follow these suggestions:

1. Try to be as invisible as you can. You are not there to show off your camera or your ability to look cool while running it. Try to blend in with the furniture as much as possible - while still getting the necessary shots, of course. This is especially important for weddings, funerals and other non-entertainment venues.

2. Dress appropriately for the job. If it's a wedding where the women are dressed in dresses and gowns and the men are in suits and ties.. you should be in similar dress (that matches your gender).

3. DO NOT partake of any food or drink that might be offered to guests unless you have been given permission by the people who have hired you or those organizing the event. Most professional wedding videographers, if they are contracted for a very long day, will stipulate that a meal (or at least a meal break) must be provided when the contract is set up - before the event.

4. As an outside, hired service provider you should avoid being drawn into the event on a personal basis. For example, if you are shooting the reception at a wedding and you are invited to dance with someone you probably should politely decline. If, however you cannot decline without seeming rude then perhaps you could have that one dance and then go back to your job. A good excuse to not accept the dance offer would be to politely explain, with good humor, that if you put your camera down you might miss an important moment between the bride and groom and that you really should be prepared if it should happen.

5. Know when it's time to finish your job and leave. No hanging around after your job is done. But, always make sure you have finished and that there really are no more shots to be had. Also, make sure that the event organizer, bride and groom, or whoever is your contact is aware that you feel you're done. They may have just one more thing they want you to capture.

6. After the event is over - within the next day or so - you should contact the person(s) who hired you to let them know that editing is in progress and when they might expect a finished product. If you just shot and turned the tapes over to them at the end of the event at least contact them with a "thank you for the business" message.

It's all common sense. Be polite, try not to stand out during the event (your finished work will make you shine) and do your job with as much professionalism as you would in the big time motion picture industry. You'll get repeat business if you do.

Lenses For Indoor Event Photography - Must Have Fast Glass


Five lenses every indoor photographer must have in their kit. It doesn't matter whether you shoot Canon or Nikon, or whether you shoot crop or full frame. These five are a must have for capturing emotion and action in low light. If you're still using a variable speed, package zoom lens then I implore you to consider purchasing at least one high-speed lens. Both Canon and Nikon offer an identical lineup of fast glass. In this article I want to focus on five different lenses. Three prime lenses and two zoom lenses.

The intent of this article is not to argue the importance of fixed verses zoom lenses, nor is it to examine the pros and cons of each. It is intended to look at how a professional chooses and uses the best lens for the situation. Event photography, especially wedding photography, incorporates a mixture of both technical and creative photographic opportunities. It doesn't matter if you shoot traditional or photojournalistic you will use techniques and compositions from both schools of thought.

For any work indoors the first thing a photographer will consider is the speed of the lens. Anything under f/2.8 is too slow for professional work. Even with the advent of relatively noise free high ISO camera sensors a professional must know that they got the shoot. You do not want to be concerned with motion blur or camera shake while great photographs pass by.

Primes

Prime lenses offer increased color accuracy and intense depth of field control. Not only that, but they have a single advantage in portrait photography that zooms do not. They offer uniformity in style. In exchange for this they give up the flexibility in composition that a zoom lens offers. You will want to use the same prime lens for all or most of your traditional portrait shots. That way there will be a certain continuity of style, tone and feeling running through them. Simply, by limiting yourself to a single focal length you will give your images a feeling that they belong together.

Both Canon and Nikon offer beautiful prime lenses in both a mid-range and professional category. Don't let this confuse you if you are on a budget. Both categories offer superb optics and technical features. Canon offers their primes in a standard lineup and in their L-series professional lineup, while Nikon offers their primes in the standard D-series and the professional G-series lineup. The price range for the standard lines run between $300 and $500, and the professional L-series and G-series lenses run between $1200 and $2000.

Wide

At the wind end of the spectrum a 24mm f/2.8 is available in the mid range while the professional version of these lenses offers a maximum aperture of f/1.4. These lenses are great for traditional group shoots and formal interior shoots. Using a wide angle lens like this for action shots during the main event or a wedding reception will produce photos that give the viewer the feeling that they are there immersed in the surrounding of the photograph. This style lends itself well to documentary work and photojournalistic photography.

Standard

The "nifty 50" or 50mm prime lens has traditionally found itself to be the workhorse of many professional photographers. It is offered as a 50mm f/1.4 and is well suited for portraiture and documentary work. This lens gives beautiful color saturation and intense rich blurring, or bokeh, outside of its narrow depth of field. The professional series offers a maximum aperture of f/1.2. Use this lens for close portraiture, and interior detail photography. In low light situations this lens excels at stopping the action, but be aware that the small depth of field may cause focus issues in rapidly changing subjects as they move outside of its small range.

Telephoto

For most photographers an 85mm f/1.8 lens is the ideal portraiture lens. It offers great depth of field while minimizing the foreshortening effect of the shorter primes. The lens is also offered in a professional version with a maximum aperture of f/1.2. The 85mm focal length is somewhat limiting for general purpose use but makes up for this with gorgeous traditional portrait shots. This is the lens you will use most of the time when you get the lighting gear out and pose your clients for their formal shots. The wide aperture also gives you the ability to take advantage of available lighting for soft natural portraits.

Zooms

Zooms offer one thing primes cannot. They offer the ability to compose your photograph while standing relatively in the same place. For event photography this is a big plus. You cannot always get close enough to the action for the shot that you want. Zoom lenses also give you a big advantage if you're trying to capture candid photographs. They allow you to sneak up next to the subject without them noticing you. This makes for natural looking images and removes the observer effect from your subject.

The zoom lenses offered by both Canon and Nikon are vast. There are however, only two lenses that you need to focus on. A wide angle and a telephoto zoom. The 24-70mm f/2.8 and the 70-200mm f/2.8 are both industry standards for this type of photography. They are both professional class lenses though there are lesser priced aftermarket lenses that offer comparable optical and technical features.

Wide

The wide-angle zoom offers a range of 24-70mm and a maximum aperture of f/2.8. This lens is great for closer indoor work and detail photography. Break this one out when you will be getting close to your subjects such as a dressing room or small bar area. This also makes a great walk around lens allowing you to get moderately close for candids and yet wide enough for small shots, table and room photographs. The zoom range on this lens is within the operating spects of most on camera flash equipment making it the go-to lens for any direct flash work.

Telephoto

The telephoto zoom lens offers a range of 70-200mm and maximum aperture of f/2.8. The 70-200mm lens is offered with image stabilization (IS) Canon, or vibration reduction (VR) Nikon. This lens is also offered in a model without any anti-shake technology. The VR and IS lenses are the best choice for low light situations providing forgiveness for shake due to low shutter speed. This lens is the one you want when you need to step away from the action and blend in to capture emotion and raw candid expressions. If your style aims for a photojournalistic look and capturing the moment. This might be your all purpose lens.